The contemporary triple bill Prism starts its Sydney season on November 7, after which, just for something completely different, The Australian Ballet will dive back into David McAllister’s blingy, ultra-traditional The Sleeping Beauty. It started its national run in Adelaide in July and had a Brisbane season in August. It goes without saying the company is versatile. That’s…
Bad Nature, Australasian Dance Collective, Club Guy & Roni, Studio Boris Acket and HIIIT, Brisbane Powerhouse, September 3, 2025
Two years ago I was at the 2023 Brisbane Festival to see Salamander, the astonishing dance-theatre-visual arts piece by British choreographer and director Maxine Doyle with an extraordinary design by superstar Es Devlin. The dancers were from Brisbane-based Australasian Dance Collective, an organisation that may be small in size but huge in aspiration and achievement….
INDance. Neilson Studio, Sydney Dance Company, August 15 and 22, 2025
Sydney Dance Company’s INDance, now in its fourth year, is a small festival that presents already existing – although relatively new – works in SDC’s black-box Neilson Studio. It’s a pick’n’mix program. Casts tend to be small, there’s not a lot in the way of fancy lighting or sets that knock your socks off. This…
The Sleeping Beauty. The Australian Ballet, Adelaide, July 22-23, 2025.
Tchaikovsky was “charmed and captivated” when asked to write the music for The Sleeping Beauty by the director of the Imperial Theatres, Ivan Vsevolozhsky. Audiences have felt the same since the work’s premiere in 1890. The composer and choreographer Marius Petipa worked closely and harmoniously together and created one of the ballet canon’s enduring masterpieces. The Sleeping Beauty has been…
The Australian Ballet National Tour, Wollongong, July 25, 2025
Whenever I am within cooee of a venue for The Australian Ballet’s regional tour I will be there. Port Macquarie, 2023; Newcastle, 2024; Wollongong, 2025. Other places in other years too. I recall a rather long drive to Bathurst eons ago and a Giselle at The Concourse in Sydney’s Chatswood. I note that TAB now calls this…
Carmen, The Australian Ballet: A new perspective. Canberra Theatre Centre, June 21, 2025
You don’t go back to a ballet again and again just to see the ballet. You go to see what different artists make of that ballet (same with opera; same with theatre). An alternative cast brings its own atmosphere to a piece, or at least one hopes it does. The overall framework of the piece…
Ballet Preljocaj Swan Lake: free screenings around Australia
Queensland Performing Arts Centre is celebrating its 40th anniversary by giving out the presents. Free screenings of Ballet Preljocaj’s contemporary Swan Lake, which had a season just a couple of weeks ago in Brisbane, are available on demand for audiences around Australia and will be shown in regional venues around the state. It’s an extremely generous gift….
Rapid reboot at Alberta Ballet
There’s a vibrant spirit of renewal at Canada’s Alberta Ballet, the Calgary-based company that next year celebrates its 60th anniversary. Artistic director Francesco Ventriglia has been in place for only 18 months but is moving rapidly on multiple fronts. He has already increased the size of the company, is putting the classical tradition front and centre…
Patricio Revé news the bright spot at Queensland Ballet’s time of woe
It’s been known for some time that Queensland Ballet is in financial difficulty. This week we discovered it is in the process of cutting staff from behind the scenes and within its company of about 60 dancers. It’s a heartbreaking reversal of fortune for the company remade and substantially expanded under the artistic directorship of…
Romeo & Juliet. Queensland Ballet. Lyric Theatre, QPAC, Brisbane, March 22 and 26, 2025
It’s all change at Queensland Ballet. Again. The company is far from being the only arts organisation experiencing some turmoil – here’s looking at you, Opera Australia – but every company’s woes are its own. These are interesting times as QB continues to regroup after the retirement of transformational artistic director Li Cunxin. Li left…
The Wild Between Stars, West Australian Ballet, February 7
The stars were out and so was the moon. The audience gathered, as always, on the terraces at City Beach’s Quarry Amphitheatre with the traditional picnic baskets and wine to hand. The dancers of West Australian Ballet warmed up on the open-air stage and all was as it usually is. Except, that is, for the…
Breaking Plates: a new film from Karen Pearlman smashes past and present together
If you want to sum up the thrust of Karen Pearlman’s witty new short film in one piece of advice it’s this: women, whatever you do, do not gaze wistfully through a window. This passive act of watching and waiting is anathema to Pearlman, as it should be. She simply will not allow it in anything she…
Ivan Gil-Ortega named new artistic director of Queensland Ballet
Queensland Ballet has chosen Ivan Gil-Ortega to be its next artistic director. The Spanish-born international artist will be the company’s seventh AD. He will start in February after a period of considerable turmoil for QB. Gil-Ortega’s high-profile predecessor, Leanne Benjamin, stayed in the role for only six months. In a statement at the time Benjamin…
Siegfried & Roy: The Unauthorised Opera. Sydney Festival. Wharf 1, Sydney Theatre Company. January 10.
Obviously we’re not precisely at the opera. If so, the doors would have been shut against all-comers at the scheduled start time and there wouldn’t be all these people standing around in the auditorium drinking and chatting. And no one telling them to shut up and sit down. So far, so fabulous, as are the…
The year in review: 2024
It’s been a few years since I’ve done a year’s-best list. Everyone loves a list, including me, and it’s fun to see what others found memorable. But while I’m always happy to share my opinions about live performance it’s a bit of a mug’s game to say this thing was “better” than that thing when…
Oscar. Choreographed by Christopher Wheeldon. The Australian Ballet, Melbourne, September 13, 2024. Sydney, November 8, 2024.
Can something be simultaneously too much and not enough? That was the case for Oscar Wilde in his tumultuous, ill-fated, on-off relationship with the mercurial Lord Alfred Douglas and it’s the case with Oscar, Christopher Wheeldon’s new full-length work for The Australian Ballet. The extraordinarily rich score by Joby Talbot and Wheeldon’s abundant storytelling gifts join…
Dear Evan Hansen, Sydney Theatre Company and Michael Cassel Group. Roslyn Packer Theatre, Sydney, October 18.
Is there anyone, anywhere, ever, who hasn’t kept stumm about something not precisely true when put under pressure? Mostly it doesn’t matter but in the earnest chamber musical Dear Evan Hansen the ramifications are far-reaching. Poor Evan Hansen. A misunderstanding that could have been dispelled in seconds takes on a life of its own, multiplying like a…
Coco Chanel: the Life of a Fashion Icon. Queensland Ballet, Playhouse, QPAC, Brisbane, October 4
The unwieldy name of Annabelle Lopez Ochoa’s bio-ballet carries the intimation that not everyone will know who Chanel was. Tell that to Brisbane, where Coco Chanel: the Life of a Fashion Icon sold out all 17 performances before the season started. I reckon Chanel herself would have gone for a more streamlined title. She was, after all,…
‘We can be the future only if we know the past’: Francesco Ventriglia talks about his new role at Alberta Ballet. October 8, 2024
Francesco Ventriglia became artistic director of Alberta Ballet in January 2024. Now 46, he has worked as a dancer, artistic director and choreographer in Italy, New Zealand, Uruguay, Australia – where he established his Sydney Choreographic Centre – and now Canada. The company premiere of La Sylphide in September was his first program for Alberta Ballet. I…
‘That’s Norma Desmond, that’s Norma Desmond’: one role in Sunset Blvd., many interpretations
Andrew Lloyd Webber is rarely absent from a stage somewhere and it’s safe to say his work will outlive the scoffers, of whom there are many. Oh well, he can always cry all the way to the bank having landed hits (along with a few misses) for more than 50 years. And just recently there’s…
Opera Australia and its ‘commitment to musical theatre’
We have Opera Australia’s 2025 program in front of us now, launched this week without the presence of its key architect, former artistic director Jo Davies. As all opera-lovers know, Davies and OA parted company by mutual agreement at the end of August, just nine months after she put her feet under the desk. You…
Romeo & Juliet. West Australian Ballet, His Majesty’s Theatre, Perth, August 30 and 31, 2024
When announcing her 2023 season for Royal New Zealand Ballet, then-artistic director Patricia Barker described the returning Romeo & Juliet as “a glorious production made for the St James [Theatre] in 2017”. She was referring only to the sets and costumes designed by James Acheson. Barker added: “Andrea Schermoly is creating new choreography that will revive the classic…
Opera Australia and AD Jo Davies part company
Opera Australia chose an unusual day on which to announce it had parted ways with its artistic director, Jo Davies. Tomorrow – Saturday, August 31 – is the Sydney opening night for Sunset Boulevard. So you have a vitally important production for OA’s coffers and you decide that yes, today would be just the day for…
The Australian Ballet announces its 2025 season
In what will be David Hallberg’s fifth year as artistic director of The Australian Ballet, the company’s 2025 program offers new works by William Forsythe and Stephanie Lake, the return of John Neumeier’s Nijinsky, the company premiere of Jerome Robbins’s Glass Pieces and, for Melbourne and Canberra, Johan Inger’s powerful Carmen following its Australian premiere in Sydney this year. Revivals of…
Solace, Royal New Zealand Ballet. Isaac Theatre Royal, Christchurch, August 16, 2024
Solace is a beautiful, onomatopoeic word. It sits softly in the mouth and the taste of its meaning lingers. It promises comfort, although has little to do with being comfortable. This is comfort that exists to alleviate sadness or distress. It is light in the darkness. The three works in Royal New Zealand Ballet’s 2024…
Leanne Benjamin resigns from Queensland Ballet
Former Royal Ballet superstar Leanne Benjamin arrived at Queensland Ballet in mid-January as the company’s sixth artistic director. On August 2 she leaves the building. In a statement released by QB on July 31 Benjamin said: “Ultimately, as we have worked together to design a vibrant season for 2025, it has become very clear that…
Bespoke. Queensland Ballet, Talbot Theatre, Thomas Dixon Centre, Brisbane, July 25
Queensland Ballet’s commitment to its Bespoke program is important and necessary for the company, for choreographers and for the QB dancers. Bespoke isn’t the only place where new work happens but it is specifically and only for the new, and a place where boundaries can be stretched a bit. This year’s Bespoke opened with the…
Club Origami. Sydney Dance Company, Neilson Studio, July 19, 2024
How on earth do you keep a bunch of toddlers and babies quiet for more than half an hour? (Well, as quiet as toddlers and babies can be.) Club Origami seems to have the answer. This origami-based children’s show – yes, there is such a thing – was Sydney Dance Company’s school holiday outreach to the five-and-under…
Jewels, The Australian Ballet, Adelaide Festival Centre, July 11. The Australian Ballet on Tour, Civic Theatre Newcastle, July 12
George Balanchine’s Jewels was premiered by the Australian Ballet as part of the company’s 60th anniversary celebrations last year and very welcome it was too. It’s unlike anything else in the repertoire and it’s hard to think of a work that, moment for moment, is more glamorous. Sydney, Melbourne and London saw it last year; now it’s Adelaide’s turn. …
Horizon. Bangarra Dance Theatre, Sydney Opera House, June 13, 2024
When Bangarra Dance Theatre takes to the stage it is, without fail, in a spirit of generosity. That was true under the long-standing leadership of Stephen Page and feels true with Frances Rings, who took over the artistic directorship last year. The company’s work enlarges and enriches our understanding of First Nations history, culture and…
Romeo and Juliet Suite. L.A. Dance Project, Sydney Opera House, June 5, 2024
Love is love. If you want just three words to sum up Romeo and Juliet Suite, they’re the ones. Benjamin Millepied’s thrilling dance work, set to selections from Prokofiev’s mighty ballet score, is ultimately that basic and that profound. Who loves whom is a personal matter. That humans are capable of intense feeling and overwhelming…
Romeo and Juliet. BIG Live, Civic Theatre, Newcastle, June 1.
The name BIG Live doesn’t exactly scream ballet but that’s what the organisation does. BIG stands for Ballet International Gala, the arena in which BIG Live started operations in 2022. There were some pandemic-related bumps but the idea proved durable. The galas featured a formidable line-up of dancers for the first and subsequent presentations and…
Royal New Zealand Ballet artistic director Ty King-Wall
Ty King-Wall finished his ballet career at the top, retiring from The Australian Ballet as a principal artist. By the time he stopped dancing in 2022 he had two young children, one born just weeks before his final performance. His wife, former TAB principal Amber Scott, made her farewell to the stage last year. King-Wall…
SILENCE. Karul Projects, Sydney Opera House, May 8, 2024
Thomas E.S. Kelly’s SILENCE has been well travelled since its premiere at the Brisbane Festival in 2020. That’s a measure of how well it’s been received, which is excellent, and the enduring nature of its theme, which is not so good. SILENCE comes out swinging at the fact that Australia’s First Nations people are still waiting for a…
Swan Lake. Royal New Zealand Ballet, St James Theatre, Wellington, May 4 and 5, 2024
It was a memorable few days for Royal New Zealand Ballet dancers Ana Gallardo Lobaina and Joshua Guillemot-Rodgerson. When they made their debuts as Odette/Odile and Siegfried at the May 2 evening performance of RNZB’s Swan Lake they were both soloists at the time. Not for long though. After the May 4 matinee – their second performance…
A Midsummer Night’s Dream (Scarlett). Queensland Ballet, Playhouse, Brisbane, April 16, 2024
There is a great deal of joy in Liam Scarlett’s deliciously funny, sensual A Midsummer Night’s Dream. And – always – a great deal of sadness that his life was so short. Yesterday, April 16, was the third anniversary of his death. He was just 35 and the maker of many one-act works for major companies…
Carmen. The Australian Ballet, Sydney Opera House, April 10, 2024
Johan Inger sees Carmen as a nightmare, which it is. In his darker-than-dark version of a story that just won’t go away, the Swedish choreographer gets inside the head of the woman’s murderer, Don Jose, and chillingly finds nothing there. Well, there’s a writhing, stuttering collection of destructive impulses but otherwise Inger’s Don Jose is…
La Bayadère. West Australian Ballet, His Majesty’s Theatre, Perth. April 12, 2024
In 2018 Greg Horsman choreographed a version of La Bayadère for a trio of commissioners, Queensland Ballet, West Australian Ballet and Canada’s Royal Winnipeg Ballet. His setting was mid-19th century India at the time of the British East India Company, set up as a trading entity but in effect a coloniser. The idea had merit. Petipa’s oriental fantasy…
West Side Story. Opera Australia. Fleet Steps, Mrs Macquaries Point, Sydney, March 22, 2024.
Speaking in 1985 at a symposium about the creation of West Side Story, Jerome Robbins said he had wanted to see how far he, Leonard Bernstein and Arthur Laurents could go in bringing their “crafts and talents”, as he put it, to a musical. “Why did we have to do it separately and elsewhere? Why did…
THREE, Australasian Dance Collective. Brisbane Powerhouse, March 20, 2024
Amber McCartney’s solo dance work Tiny Infinite Deaths was a big success when it premiered in 2022 in an artist development program called Pieces, presented by Melbourne’s Lucy Guerin Inc and The Substation. It was the kind of leg-up independent artists need if they are to be seen and Tiny Infinite Deaths was indeed seen by many influential…
Alice’s Adventures in Wonderland. The Australian Ballet, Sydney, February 20, 2024
Christopher Wheeldon is a ballet choreographer who doesn’t stay in his lane. Neither did George Balanchine, Agnes de Mille or Jerome Robbins. Ditto Twyla Tharp, still making new work at the age of 82. In the younger generation, New York City Ballet’s Justin Peck has been tapped to make dance for Broadway and film (Carousel,…
Jungle Book Reimagined. Akram Khan Company, Perth Festival, February 10, 2024
In Rudyard Kipling’s The Jungle Book (1894) the law of the jungle is the furthest thing from anarchy. Social structures built by the animals are adhered to without fail. They give an often violent world some kind of order. Akram Khan’s reimagining and updating is rooted in chaos. We are in a future – 2029…
Metamorphosis: Ballet at the Quarry. West Australian Ballet, February 9, 2024
By start time of 8pm Perth’s temperature had dropped a little from its high of 41°C to something, well, not much below that. But the sky was clear and humidity low – a perfect night, then, for West Australian Ballet’s annual open-air season at Quarry Amphitheatre. The program was mostly chosen by former WAB artistic…
Wayfinder, Dancenorth; Mutiara, Marrugeku. Sydney Festival, January 19 and 20, 2024
Most of Australia’s well-established contemporary dance companies are based in the country’s capital cities for obvious reasons. That’s where audiences and resources are closest to hand. Adelaide is home to Australian Dance Theatre and Restless Dance Theatre, Brisbane is where you find Australasian Dance Collective, Co3 caters to the Perth audience and so on. Dancenorth…
The Australian Ballet ends 2023 with Swan Lake and 16 promotions
The Australian Ballet’s 60th anniversary celebrations came to a close in Sydney with Swan Lake and with promotions for 16 dancers – about 20 per cent of the company. TAB ended 2023 with 67 dancers although that number will increase to 77 when three new soloists and seven new corps de ballet members join next year. Swan Lake was…
Leanne Benjamin named Queensland Ballet’s new artistic director
Leanne Benjamin has been named Li Cunxin’s successor as artistic director of Brisbane-based Queensland Ballet. She is the sixth AD in the company’s 63-year history and the first woman to be appointed to the position. She will start at QB mid next month. It’s a home-coming for Rockhampton-born Benjamin, who spent most of her career…
PPY23 Revealed. Sydney Dance Company, Carriageworks, December 12, 2023
At the end of PPY23 Revealed there were huge shouts of joy from the young dancers who had just performed. For about half of them – and there were more than 50 in total – it was a graduation performance, their two years as participants in Sydney Dance Company’s Pre-Professional Year program now done and dusted. They…
Up Close: Somos. Sydney Dance Company, Neilson Studio, November 1, 2023
Up close is right. It’s likely you’ll never get nearer the spectacular Sydney Dance Company bodies than this. SDC is usually seen in the conventional 900-seat Roslyn Packer Theatre just across the road from the company’s home in Sydney’s Walsh Bay. Up Close: Somos is staged in SDC’s Neilson Studio for a maximum of 150…
The Australian Ballet names Stephanie Lake its new Resident Choreographer
The Australian Ballet’s announcement today that Stephanie Lake is to be its new Resident Choreographer from the beginning of next year is very good news indeed. Lake is one of the country’s most sophisticated makers of dance and one of the most wedded to the joys and trials of being human. In everything she does,…
Remembering Colin Peasley
Colin Peasley gave his last performance as a member of The Australian Ballet on December 19, 2012. A shorter version of this profile first appeared in The Australian newspaper on Saturday December 8. A PHOTO in Luminous, a book of essays and images celebrating The Australian Ballet’s 50th anniversary, says it all. The occasion is…
deborah jones: FollowSpot 