The Australian Ballet, Sydney Opera House, April 22 and 23 AS the curtain came down on Lucinda Dunn’s farewell performance for The Australian Ballet she wept, the streamers flew, the audience roared and an era ended. Dunn has been with the AB for 23 years, longer than any other ballerina, and was a principal artist…
Category: Dance
Interplay, Sydney Dance Company
Sydney Theatre, March 17 WHAT a rich, diverse evening this is. Sydney Dance Company’s Interplay offers three works, any two of which would have given a stimulating experience, but who’s complaining? Each makes a strong appeal to a different human need and shows the SDC dancers in shape-shifting, magisterial form. Rafael Bonachela takes on Bach’s…
Lucinda Dunn – a tribute
IT is not a great surprise that Lucinda Dunn has chosen to retire from The Australian Ballet next month, but it is a great loss. While she has had some recent injuries and has been selecting her repertoire carefully, these are not unusual circumstances when a dancer has had as lengthy a career as Dunn’s….
ABT is Brisbane-bound
ONE way of looking at the repertoire for American Ballet Theatre’s Brisbane visit in August and September – its first to Australia – is with absolute pragmatism: there’s Swan Lake, of course, which is for many audience members the ballet gold standard, and there’s a triple bill made up of pieces the company is currently…
Cojocaru and Kobborg
WHEN Alina Cojocaru and Johan Kobborg join The Australian Ballet in Sydney for two performances of Manon in April it will be their first appearance with an Australian company, but their second time in Australia together and Cojocaru’s third visit. She danced in A Midsummer Night’s Dream with Hamburg Ballet in Brisbane in 2012. In…
Imperial Suite
The Australian Ballet, Brisbane, February 26 THE men of The Australian Ballet get an occasional look-in but the double bill Imperial Suite is really all about the women. In Serge Lifar’s Suite en blanc there is a flurry of white tutus and only one male dance of any substance. In George Balanchine’s Ballet Imperial a…
Manon
The Australian Ballet, Brisbane, February 21 MANON, which premiered 40 years ago next month (March 7, 1974), is in an exclusive club, the handful of full-length 20th century ballets that have insinuated themselves firmly into the repertoire. The Australian Ballet doesn’t exactly have it on high rotation but, including this year, Manon has shown up…
The critics decide …
THE February/March issue of Dance Australia has the magazine’s annual survey of dance during the past year. It takes the temperature nationally by asking critics – 18 this year, of which I am one – to name their best, worst and most promising people and events. It’s always a good read, highlighting artists and events…
Theatre, dance and opera in New York
I AM currently in New York seeing a LOT of shows. My diary page will be updated regularly. Back mid-February.
Dance at the Sydney Festival
Am I, Shaun Parker & Company, January 9; Dido & Aeneas, Sasha Waltz & Guests, January 16; Gudirr Gudirr, Marrugeku, January 17; Forklift, KAGE, January 18 THE Sydney Festival’s dance program was relatively low-key but had an interesting range, from the large-scale centrepiece Dido & Aeneas from Sasha Waltz & Guests to the intimacy and…
