This is the second in an occasional series of in-depth conversations with people in the arts CABARET is Kurt Weill and it’s the Moulin Rouge, it’s Barbara Cook at Café Carlyle, it’s the glamorous Ute Lemper, it’s the kamikaze stylings of Meow Meow and it’s Michael Feinstein at the piano singing from the great American…
Category: Dance
Vanguard
The Australian Ballet, Sydney Opera House, April 30 GEORGE Balanchine was indisputably a game-changer, to use the Australian Ballet’s phrase in explaining the ethos behind Vanguard, the triple bill that opened in Sydney on April 30. The game-changer tag is somewhat less cut and dried in the case of Jiri Kylian and Wayne McGregor, who…
Don Quixote x 6
The Australian Ballet, six performances in March and April 2013 BALLET’S reliance on and reverence for its history is powerful in so many ways. In the Australian Ballet’s 2013 Melbourne and Sydney seasons of Don Quixote the women dancing Kitri were coached by former American Ballet Theatre principal Cynthia Harvey; the leading men prepared under…
Dance Better at Parties
Sydney Theatre Company, April 9 DAVE would appear to have come to the wrong place. The ugly suburban dance school with its poo-brown floor and unforgiving fluoros offers private lessons in the rumba, tango, paso doble and other glittering ballroom arts. You buy a block of 10, sign here for direct debit, initial the injury…
Robert Curran
In the first of an occasional conversation and discussion series, former Australian Ballet principal artist Robert Curran talks about his sometimes frustrating, not yet achieved but deeply considered and tenaciously sought transition from dancing to an artistic directorship ROBERT Curran gave his last performance with The Australian Ballet on November 26, 2011 – as Danilo…
Cinderella
Queensland Ballet, Queensland Performing Arts Centre, April 5 QUEENSLAND Ballet’s ambitious Cinderella has much to say about what new artistic director Li Cunxin wants for his company and a little something to say about Li himself. Li’s story is well known. He was plucked from deepest obscurity in rural China to be trained in ballet…
Ty King-Wall
The Australian Ballet has a new principal artist WHEN David McAllister walks onstage at the end of an Australian Ballet performance it usually means just one thing, and so it was the afternoon of April 6 in Sydney. McAllister named Ty King-Wall, 26, the AB’s newest principal artist after his performance as Basilio in Don…
Don Quixote, The Australian Ballet
Melbourne, March 16. With guest stars Natalia Osipova and Ivan Vasiliev IF you were looking for a well-balanced Don Quixote, the Australian Ballet’s opening night in Melbourne on March 15 was probably the go, as Eamonn Kelly’s excellent review in The Australian on March 18 indicated. The following night was when star-power ruled, with Russian…
6000 miles away
Choreography by William Forsythe, Mats Ek and Jiri Kylian. Drama Theatre, Sydney Opera House, March 8 MATS Ek’s Bye is the crowd-pleasing work in this rich, concentrated evening of dance but William Forsythe’s Rearray is where the real nourishment is. Forsythe and Sylvie Guillem go way back – nearly a quarter of a century –…
De Novo
Sydney Dance Company. Choreography by Rafael Bonachela, Alexander Ekman and Larissa McGowan. IF Alexander Ekman is true to his program note he won’t read this review, or any other. It’s a shame, because I’d like to let him know how much I enjoyed Cacti. Perhaps someone at Sydney Dance Company will pass the word on,…
