Michael Clark Company, Drama Theatre, Sydney Opera House, January 30. In the first part of Michael Clark’s gorgeous triptych of dances there’s an image of quiet, deep reverence enacted by two men, their hands spread and their heads bowed. It could stand for the whole work really, which pays homage to choreographers, musicians and artists…
New short films about dance-makers
Ghenoa Gela won the biennial Keir Choreographic Award in 2016 with a work infused with her Torres Strait Islander heritage while posing resonant questions about meanings inherent in or imposed on Indigenous dance. Fragments of Malungoka – Women of the Sea also won the people’s vote – a result that didn’t surprise at all. Gela’s work…
Force Majeure: You Animal, You
Sydney Festival, Carriageworks, January 6 Heather Mitchell is one of the great treasures of the Australian stage and any chance to see her must be grabbed eagerly, as proved to be the case even in a work as unsteady as Force Majeure’s You Animal, You. Under its founder and former artistic director Kate Champion, Force…
Li and QB: my artists of the year
My first Artist of the Year, in 2015, was operatic mezzo, cabaret sensation, music-theatre star and all-round fine human being Jacqueline Dark. Last year I went for a large, disparate group of people and companies – the independent theatre artists who do tremendous work at low prices, making their art accessible to all often at…
RNZB and the numbers game
What possessed the Board of Royal New Zealand Ballet to assert in its statement of December 15 that 42% of the dancers are either New Zealanders or trained in New Zealand and that next year the goal is to have an even higher percentage? The main thrust of the statement is fine – the Board has…
Independent review of RNZB
Royal New Zealand Ballet today announced it has commissioned an independent review of its employment processes. This follows two weeks of intense scrutiny about dancer turnover, opportunities for New Zealand dancers and working conditions and practices. A welcome move is the undertaking to give company artists a say in decision-making. At the moment there is…
RNZB Board responds – finally
On Monday Royal New Zealand Ballet’s Board of Trustees chair Steven Fyfe put out a statement addressing concerns raised over the past two weeks about the company. In a lengthy official response (see below), the Board backs new artistic director Patricia Barker, stresses the company’s support for New Zealand talent and says it will seek…
Quakes and tremors at RNZB
The party to mark Royal New Zealand Ballet’s 60th anniversary was in full swing at Wellington’s St James Theatre when the earthquake struck. The special matinee performance of Swan Lake on July 21, 2013, had been attended by many former dancers, staff and friends and now it was time to raise a glass and reminisce….
Sydney Dance Company: New Breed
Carriageworks, Sydney, November 30. What a great night of dance – all of it brand spanking new, performed by some of the best movers on the planet and offered to the public at $35 a ticket. Even when the quality is uneven New Breed, now in its fourth iteration, offers a lot of bang for…
Tsunami at Royal New Zealand Ballet
It’s always been Royal New Zealand Ballet’s fate to have a certain amount of churn. It’s a small country a long way from the big ballet centres of the world. When dancers leave, artistic directors hire other dancers who suit their tastes. When that artistic director leaves, dancers who came because of that person may…
deborah jones: FollowSpot 