The stars were out and so was the moon. The audience gathered, as always, on the terraces at City Beach’s Quarry Amphitheatre with the traditional picnic baskets and wine to hand. The dancers of West Australian Ballet warmed up on the open-air stage and all was as it usually is. Except, that is, for the…
Breaking Plates: a new film from Karen Pearlman smashes past and present together
If you want to sum up the thrust of Karen Pearlman’s witty new short film in one piece of advice it’s this: women, whatever you do, do not gaze wistfully through a window. This passive act of watching and waiting is anathema to Pearlman, as it should be. She simply will not allow it in anything she…
Ivan Gil-Ortega named new artistic director of Queensland Ballet
Queensland Ballet has chosen Ivan Gil-Ortega to be its next artistic director. The Spanish-born international artist will be the company’s seventh AD. He will start in February after a period of considerable turmoil for QB. Gil-Ortega’s high-profile predecessor, Leanne Benjamin, stayed in the role for only six months. In a statement at the time Benjamin…
Siegfried & Roy: The Unauthorised Opera. Sydney Festival. Wharf 1, Sydney Theatre Company. January 10.
Obviously we’re not precisely at the opera. If so, the doors would have been shut against all-comers at the scheduled start time and there wouldn’t be all these people standing around in the auditorium drinking and chatting. And no one telling them to shut up and sit down. So far, so fabulous, as are the…
The year in review: 2024
It’s been a few years since I’ve done a year’s-best list. Everyone loves a list, including me, and it’s fun to see what others found memorable. But while I’m always happy to share my opinions about live performance it’s a bit of a mug’s game to say this thing was “better” than that thing when…
Oscar. Choreographed by Christopher Wheeldon. The Australian Ballet, Melbourne, September 13, 2024. Sydney, November 8, 2024.
Can something be simultaneously too much and not enough? That was the case for Oscar Wilde in his tumultuous, ill-fated, on-off relationship with the mercurial Lord Alfred Douglas and it’s the case with Oscar, Christopher Wheeldon’s new full-length work for The Australian Ballet. The extraordinarily rich score by Joby Talbot and Wheeldon’s abundant storytelling gifts join…
Dear Evan Hansen, Sydney Theatre Company and Michael Cassel Group. Roslyn Packer Theatre, Sydney, October 18.
Is there anyone, anywhere, ever, who hasn’t kept stumm about something not precisely true when put under pressure? Mostly it doesn’t matter but in the earnest chamber musical Dear Evan Hansen the ramifications are far-reaching. Poor Evan Hansen. A misunderstanding that could have been dispelled in seconds takes on a life of its own, multiplying like a…
Coco Chanel: the Life of a Fashion Icon. Queensland Ballet, Playhouse, QPAC, Brisbane, October 4
The unwieldy name of Annabelle Lopez Ochoa’s bio-ballet carries the intimation that not everyone will know who Chanel was. Tell that to Brisbane, where Coco Chanel: the Life of a Fashion Icon sold out all 17 performances before the season started. I reckon Chanel herself would have gone for a more streamlined title. She was, after all,…
‘We can be the future only if we know the past’: Francesco Ventriglia talks about his new role at Alberta Ballet. October 8, 2024
Francesco Ventriglia became artistic director of Alberta Ballet in January 2024. Now 46, he has worked as a dancer, artistic director and choreographer in Italy, New Zealand, Uruguay, Australia – where he established his Sydney Choreographic Centre – and now Canada. The company premiere of La Sylphide in September was his first program for Alberta Ballet. I…
‘That’s Norma Desmond, that’s Norma Desmond’: one role in Sunset Blvd., many interpretations
Andrew Lloyd Webber is rarely absent from a stage somewhere and it’s safe to say his work will outlive the scoffers, of whom there are many. Oh well, he can always cry all the way to the bank having landed hits (along with a few misses) for more than 50 years. And just recently there’s…
deborah jones: FollowSpot 