Belvoir, February 18 KILL the Messenger is as simple as theatre gets. There’s a bare space – designer Ralph Myers in particularly pared-back mode – and some projected photographs, five actors, a couple of props, 75 minutes and we’re done. The rigour, almost at the level of ruthlessness, is thrilling. Playwright Nakkiah Lui requires your…
Eeny, meeny, miny, mo
Hayes Theatre Co, Sydney, February 10. WILLY Russell isn’t a great lyricist and not much more than a journeyman composer but he’s no slouch with a heart-tugging story as his life-affirming plays Educating Rita and Shirley Valentine prove. The 1983 musical Blood Brothers also mines gritty British working-class life, although with a darker purpose. There…
The giants inside
Not I, Footfalls, Rockaby. Royal Court Theatre and Lisa Dwan, State Theatre Centre of WA, February 14. Mozart Dances, Mark Morris Dance Group, His Majesty’s Theatre, February 13. THERE were giants inside as well as outside during Perth’s first festival weekend. While Mark Morris and Mozart ruled with joie de vivre at His Majesty’s, Lisa…
‘My work’s about love, basically’
One of the key works of the 2015 Perth International Arts Festival is Mark Morris’s Mozart Dances from 2006. There will be four performances only, on February 13, 14 and 15. PIAF artistic director Jonathan Holloway calls Morris “one of the greatest choreographers alive today and he is the great American choreographer. He’s never been…
Nothing to Lose
Force Majeure, Carriageworks, January 22. IN her 10 years at Force Majeure, the company she founded and which she now leaves, Kate Champion’s material has included the ageing process, near-death experiences, the pitfalls of child-raising and obsessive behaviour, tantalising subjects one and all. Her brand of dance-theatre has always been stimulating but with Nothing to…
Three companies, one great show
Sydney Festival Parramatta Program, January 23 PUNCTURE starts with “Hello” and ends with “I love you”. Has there been anything more life-affirming than this at the 2015 Sydney Festival? I doubt it. As I write, the 2pm show has recently finished at the Riverside Theatre at Parramatta and there will be just two more: tonight…
There will not be light
Next to Normal, Doorstep Arts in association with Hayes Theatre Co, Sydney, January 15. Sweet Charity, Sydney Opera House, January 16, 2015 IF there is a choice to be made between darkness and light, musical theatre will tend to go for the latter. It’s just how it is. Indeed, Next to Normal, a musical in…
Kusch joins the AB; Cubans come to Brisbane
AS I foreshadowed on December 15 on my Diary page, Queensland Ballet has lost one of its principal artists, Natasha Kusch, to The Australian Ballet. Kusch was with QB for less than 18 months after leaving the Vienna State Opera Ballet. She joins the AB as a senior artist. In a press statement released today…
Ancient rituals for new audiences
Dancing for the Gods, Chitrasena Dance Company for the Sydney Festival, January 8. IF there is a more immediately captivating dancer than Thaji Dias, I have yet to see her, or him. Dias is the leading dancer of Sri Lanka’s Chitrasena Dance Company, granddaughter of its founder and was clearly born to carry on his…
No such thing as a free lunch?
Volatile personalities, free speech, free tickets and the free language almost obligatory when publishing online – look at me, please!! – tangled at the weekend when a dispute between Opera Australia – always a lightning rod! – and two arts commentators became public. Of course it became public. It seems there are no quiet corners…
deborah jones: FollowSpot 