Solace is a beautiful, onomatopoeic word. It sits softly in the mouth and the taste of its meaning lingers. It promises comfort, although has little to do with being comfortable. This is comfort that exists to alleviate sadness or distress. It is light in the darkness. The three works in Royal New Zealand Ballet’s 2024…
Tag: Alice Topp
Royal New Zealand Ballet artistic director Ty King-Wall
Ty King-Wall finished his ballet career at the top, retiring from The Australian Ballet as a principal artist. By the time he stopped dancing in 2022 he had two young children, one born just weeks before his final performance. His wife, former TAB principal Amber Scott, made her farewell to the stage last year. King-Wall…
The Australian Ballet at 60: Don Quixote, Identity, Jewels, April-May 2023
The way The Australian Ballet’s calendar works meant Sydney had a unique opportunity to assess the company’s form and direction at the halfway point of its 60th anniversary celebration year. The ballets came thick and fast in the harbour city. After opening in Melbourne – TAB’s home base – in March, Don Quixote moved on to Sydney in…
Instruments of Dance, The Australian Ballet, Sydney Opera House, November 10, 2022
Australian audiences know Wayne McGregor from Dyad 1929, made in 2009 as part of The Australian Ballet’s Ballets Russes celebration; Chroma, choreographed in 2006 and brought into the repertoire in 2014; and Infra, staged by TAB in 2017 but dating from 2008. Obsidian Tear, the opening work in the Instruments of Dance triple bill, is not that Wayne McGregor. Absent…
Three ballet companies, three distinctive looks in 2023
Australia’s three leading classical companies have released their 2023 programs, each with a distinctive flavour. The Australian Ballet has a deeply glamorous 60thanniversary season, West Australian Ballet’s line-up gratifyingly features a strong list of female choreographers and at Queensland Ballet the premiere of Cathy Marston’s My Brilliant Career will make Brisbane a must in June. Another must…
New Breed, Sydney Dance Company
Carriageworks, Sydney, December 6 The mysteries of dance and dancemaking are great. What drives the need to watch this person closely and not that one? Why does a work speak to something deep within while another is superficially entertaining? How is it that one is engaged intellectually and emotionally with one piece of dance while…
The Australian Ballet announces its 2020 season and seeks a new artistic director
As David McAllister announced his last full season as artistic director of The Australian Ballet, the company formally launched its search for McAllister’s successor. McAllister retires in December of next year after 20 years at the helm but will have significant input into the 2021 program. The new director is not expected to start until…
Giselle, The Australian Ballet
Sydney Opera House, May 1 Graeme Murphy fell ill earlier this year and was unable to complete his new ballet, The Happy Prince, in time for its premiere in Melbourne, which was to have been in March. It was then to be performed in Sydney (it is now likely to be seen in 2020). Alexei…
Verve, The Australian Ballet
Sydney Opera House, April 5 The Australian Ballet’s contemporary triple bill Verve, having a Sydney season this year after its premiere in Melbourne last year, presents works from the company’s three resident choreographers, each with a distinctive style that serves the program well. Veteran Stephen Baynes, who has held his post since 1995, is a…
The Australian Ballet and Queensland Ballet reveal 2019 programs
Alice Topp was yesterday named The Australian Ballet’s fourth resident choreographer, joining Stephen Baynes and Stanton Welch, (both appointed in 1995) and Tim Harbour (2014). Topp, a coryphée with the company, is the second woman to be given the title following Natalie Weir. It’s been a long time between drinks: Weir held the post for…
deborah jones: FollowSpot 