George Balanchine’s Jewels was premiered by the Australian Ballet as part of the company’s 60th anniversary celebrations last year and very welcome it was too. It’s unlike anything else in the repertoire and it’s hard to think of a work that, moment for moment, is more glamorous. Sydney, Melbourne and London saw it last year; now it’s Adelaide’s turn. …
Tag: Benedicte Bemet
Alice’s Adventures in Wonderland. The Australian Ballet, Sydney, February 20, 2024
Christopher Wheeldon is a ballet choreographer who doesn’t stay in his lane. Neither did George Balanchine, Agnes de Mille or Jerome Robbins. Ditto Twyla Tharp, still making new work at the age of 82. In the younger generation, New York City Ballet’s Justin Peck has been tapped to make dance for Broadway and film (Carousel,…
Swan Lake. The Australian Ballet, State Theatre, Melbourne, September 19-20, 2023
Tradition reigns in The Australian Ballet’s new Swan Lake, based on a fondly remembered 1977 production by former artistic director Anne Woolliams. Nearly 50 years on it’s still recognisable as her work, albeit with lashings of 21st-century glamour. Swan Lake is the main event in artistic director David Hallberg’s celebration of the company’s 60th anniversary and in what…
The Australian Ballet at 60: Don Quixote, Identity, Jewels, April-May 2023
The way The Australian Ballet’s calendar works meant Sydney had a unique opportunity to assess the company’s form and direction at the halfway point of its 60th anniversary celebration year. The ballets came thick and fast in the harbour city. After opening in Melbourne – TAB’s home base – in March, Don Quixote moved on to Sydney in…
Four Romeos and four Juliets at The Australian Ballet, October and December 2022
The return of John Cranko’s Romeo and Juliet to The Australian Ballet after nearly 20 years is a reminder of how few narrative ballets surpass it for range and complexity. Cranko’s version of Shakespeare’s tragedy, made in 1962 for Stuttgart Ballet, has been in TAB’s repertoire since 1974 and until 2003 was staged relatively regularly. Not all…
Romeo and Juliet, The Australian Ballet, Arts Centre Melbourne, October 7, 2022
The Australian Ballet is in a nostalgic mood. The company’s 60th birthday is just around the corner – its first performance was in Sydney on November 2, 1962 – so thoughts naturally go to the past. Next year has been designated a year of celebration with key planks of the program being a “reinvention” of former…
Counterpointe, The Australian Ballet
Sydney Opera House, April 27, 2021 Does Counterpointe shine an illuminating light on the journey of classical dance from the 19th century to the 20th or is it a mighty clash of opposing forces? The Australian Ballet’s new artistic director, David Hallberg, sees it as the former. The Australian Ballet’s social media ads, on the other hand, frame Counterpointe as a…
The Happy Prince, The Australian Ballet
Choreographed by Graeme Murphy, adapted from Oscar Wilde by Murphy and Kim Carpenter. Queensland Performing Arts Centre, Brisbane, February 25. Graeme Murphy’s The Happy Prince was to have premiered last year but illness intervened and the choreographer wasn’t able to complete the ballet in time. The Australian Ballet quickly rescheduled it to open the 2020…
The Nutcracker, The Australian Ballet
Sydney Opera House, November 30. The Australian Ballet doesn’t have an annual tradition of presenting The Nutcracker, although on present indications it could. The ballet doesn’t have as tight a grip on the public (or companies’ bottom lines) as it does in the United States but this year’s Nutcracker was pretty much sold out before…
Sylvia, The Australian Ballet
Sydney Opera House, November 8 The dash for bathrooms and bars was substantially less frantic than usual after the close of Act I of Stanton Welch’s Sylvia. Heads everywhere bowed over their synopsis sheets. What in the name of all the gods in Ancient Greece was going on? How does one show via ballet that Artemis…
deborah jones: FollowSpot 