Carriageworks, Sydney, November 30. What a great night of dance – all of it brand spanking new, performed by some of the best movers on the planet and offered to the public at $35 a ticket. Even when the quality is uneven New Breed, now in its fourth iteration, offers a lot of bang for…
Tag: Cass Mortimer Eipper
Orb, Sydney Dance Company
Full Moon, choreographed by Cheng Tsung-lung, Ocho, choreographed by Rafael Bonachela. Sydney Dance Company, Roslyn Packer Theatre Walsh Bay, May 1. At first glance the two works in Sydney Dance Company’s Orb look quite different but they are close kin under the skin and together make an exceptionally absorbing double bill. Cheng Tsung-lung, who choreographed…
Untamed: Sydney Dance Company
Wildebeest and Anima. Roslyn Packer Theatre Walsh Bay, Sydney, October 20. In the double bill Untamed, Gabrielle Nankivell’s Wildebeest and Rafael Bonachela’s Anima come at the same question – what is our true, essential nature? – from quite different perspectives. Nankivell sets humankind’s most primal impulses against the slick, guarded sophistications of modern life. The…
Sydney Dance Company
CounterMove. Roslyn Packer Theatre Walsh Bay, Sydney, February 29. LUX Tenebris – Light in Darkness – is the name of Rafael Bonachela’s new work but it could well have been chosen to describe Sydney Dance Company’s new double bill as a whole. The company’s reprise of Alexander Ekman’s Cacti, which opens the evening, puts the…
Triptych
Sydney Dance Company with ACO2 and Katie Noonan. Roslyn Packer Theatre Walsh Bay, Sydney, September 29. BENJAMIN Britten was in his 20s when he wrote the three works to which Rafael Bonachela responds so ardently in Triptych. Innocence, desire, joy, playfulness and sensuality all have their role in the music and the evocation of the…
Quintett, Frame of Mind
Sydney Theatre, March 9 and 10. IT was a great coup for Rafael Bonachela to secure William Forsythe’s Quintett for Sydney Dance Company. It is a jewel of the contemporary repertoire with so many facets and colours it could be seen again and again without exhausting its possibilities. And to see it danced as was…
Women to the fore
New Breed, Sydney Dance Company, Carriageworks, Sydney, November 4 AN enduring issue in dance is the predominance of male choreographers. This is overwhelmingly evident in ballet; less so in contemporary dance. Nevertheless, if you look at Sydney Dance Company’s programs over the past few years, the choreographers invited to join artistic director Rafael Bonachela on…
Interplay, Sydney Dance Company
Sydney Theatre, March 17 WHAT a rich, diverse evening this is. Sydney Dance Company’s Interplay offers three works, any two of which would have given a stimulating experience, but who’s complaining? Each makes a strong appeal to a different human need and shows the SDC dancers in shape-shifting, magisterial form. Rafael Bonachela takes on Bach’s…
iTMOi, Les Illuminations
Akram Khan Company, Drama Theatre, Sydney Opera House, August 28. Les Illuminations, Sydney Symphony Orchestra, Sydney Dance Company and Katie Noonan, The Studio, Sydney Opera House, August 28 AKRAM Khan is a choreographer with a hugely inquiring and generous mind. The list of his collaborators is long, stellar and diverse. He’s not a man content…
deborah jones: FollowSpot 