The contemporary triple bill Prism starts its Sydney season on November 7, after which, just for something completely different, The Australian Ballet will dive back into David McAllister’s blingy, ultra-traditional The Sleeping Beauty. It started its national run in Adelaide in July and had a Brisbane season in August. It goes without saying the company is versatile. That’s…
Tag: David Hallberg
The year in review: 2024
It’s been a few years since I’ve done a year’s-best list. Everyone loves a list, including me, and it’s fun to see what others found memorable. But while I’m always happy to share my opinions about live performance it’s a bit of a mug’s game to say this thing was “better” than that thing when…
Oscar. Choreographed by Christopher Wheeldon. The Australian Ballet, Melbourne, September 13, 2024. Sydney, November 8, 2024.
Can something be simultaneously too much and not enough? That was the case for Oscar Wilde in his tumultuous, ill-fated, on-off relationship with the mercurial Lord Alfred Douglas and it’s the case with Oscar, Christopher Wheeldon’s new full-length work for The Australian Ballet. The extraordinarily rich score by Joby Talbot and Wheeldon’s abundant storytelling gifts join…
The Australian Ballet announces its 2025 season
In what will be David Hallberg’s fifth year as artistic director of The Australian Ballet, the company’s 2025 program offers new works by William Forsythe and Stephanie Lake, the return of John Neumeier’s Nijinsky, the company premiere of Jerome Robbins’s Glass Pieces and, for Melbourne and Canberra, Johan Inger’s powerful Carmen following its Australian premiere in Sydney this year. Revivals of…
The Australian Ballet ends 2023 with Swan Lake and 16 promotions
The Australian Ballet’s 60th anniversary celebrations came to a close in Sydney with Swan Lake and with promotions for 16 dancers – about 20 per cent of the company. TAB ended 2023 with 67 dancers although that number will increase to 77 when three new soloists and seven new corps de ballet members join next year. Swan Lake was…
The Australian Ballet names Stephanie Lake its new Resident Choreographer
The Australian Ballet’s announcement today that Stephanie Lake is to be its new Resident Choreographer from the beginning of next year is very good news indeed. Lake is one of the country’s most sophisticated makers of dance and one of the most wedded to the joys and trials of being human. In everything she does,…
Swan Lake. The Australian Ballet, State Theatre, Melbourne, September 19-20, 2023
Tradition reigns in The Australian Ballet’s new Swan Lake, based on a fondly remembered 1977 production by former artistic director Anne Woolliams. Nearly 50 years on it’s still recognisable as her work, albeit with lashings of 21st-century glamour. Swan Lake is the main event in artistic director David Hallberg’s celebration of the company’s 60th anniversary and in what…
The Australian Ballet in 2024
A new ballet by Christopher Wheeldon, Oscar, is the centrepiece of David Hallberg’s 2024 program for The Australian Ballet. It is being made on the company in what is Hallberg’s first full-length commission since taking over as TAB artistic director in 2021. The ballet will interweave aspects of the tumultuous life of legendary wit, playwright, novelist…
The Australian Ballet at 60: Don Quixote, Identity, Jewels, April-May 2023
The way The Australian Ballet’s calendar works meant Sydney had a unique opportunity to assess the company’s form and direction at the halfway point of its 60th anniversary celebration year. The ballets came thick and fast in the harbour city. After opening in Melbourne – TAB’s home base – in March, Don Quixote moved on to Sydney in…
Four Romeos and four Juliets at The Australian Ballet, October and December 2022
The return of John Cranko’s Romeo and Juliet to The Australian Ballet after nearly 20 years is a reminder of how few narrative ballets surpass it for range and complexity. Cranko’s version of Shakespeare’s tragedy, made in 1962 for Stuttgart Ballet, has been in TAB’s repertoire since 1974 and until 2003 was staged relatively regularly. Not all…
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