Instruments of Dance, The Australian Ballet, Sydney Opera House, November 10, 2022

Australian audiences know Wayne McGregor from Dyad 1929, made in 2009 as part of The Australian Ballet’s Ballets Russes celebration; Chroma, choreographed in 2006 and brought into the repertoire in 2014; and Infra, staged by TAB in 2017 but dating from 2008. Obsidian Tear, the opening work in the Instruments of Dancetriple bill, is not that Wayne McGregor. Absent is…

Sylvia, The Australian Ballet

Sydney Opera House, November 8 The dash for bathrooms and bars was substantially less frantic than usual after the close of Act I of Stanton Welch’s Sylvia. Heads everywhere bowed over their synopsis sheets. What in the name of all the gods in Ancient Greece was going on? How does one show via ballet that Artemis…

Verve, The Australian Ballet

Sydney Opera House, April 5 The Australian Ballet’s contemporary triple bill Verve, having a Sydney season this year after its premiere in Melbourne last year, presents works from the company’s three resident choreographers, each with a distinctive style that serves the program well. Veteran Stephen Baynes, who has held his post since 1995, is a…

Swan Lake: Sydney summing up

The Australian Ballet, Sydney, March 31, April 2, April 5, April 16. The Australian Ballet will undoubtedly stick with Stephen Baynes’s 2012 production of Swan Lake – now being revived for the first time – for many a year to come. It has sold out 21 performances at the Sydney Opera House and a check…

The Australian Ballet’s 20:21

Sydney Opera House, November 5 After a year dominated by Giselle, Frederick Ashton’s The Dream, Alexei Ratmansky’s Cinderella, the lavish new Sleeping Beauty and Graeme Murphy’s Swan Lake, the dancers of The Australian Ballet were undoubtedly delighted to dive into the pared-back costumes and sharp-edged choreography of 20:21 (the title refers to the 20th and…