Carriageworks, Sydney, November 29. Holly Doyle’s sweet, sad, funny, goofy, utterly captivating Out, Damned Spot! is exactly why Sydney Dance Company’s New Breed exists and why it works. Doyle doesn’t have an extensive choreographic resumé but did have a big hit in this year’s annual season of short new works. She has an original voice worth nurturing….
Tag: Janessa Dufty
ab [intra], Sydney Dance Company
Roslyn Packer Theatre, Sydney, May 15. This one is all about the dancers. It’s about how, to the audience, they look, feel and taste. How astonishing they are in form and function. How magnificent the human body can be and how powerful its effects on an observer. On the dancers’ side of the fourth wall…
2 One Another, Sydney Dance Company
Roslyn Packer Theatre, Sydney. October 5. Sydney Dance Company artistic director Rafael Bonachela clearly adores 2 One Another. Made in 2012, it was revived in 2013, 2014 and 2015, is much travelled and this season celebrates its 100th performance by making its first reappearance in Sydney. Next stop is Shanghai. Audiences love it too, and…
Orb, Sydney Dance Company
Full Moon, choreographed by Cheng Tsung-lung, Ocho, choreographed by Rafael Bonachela. Sydney Dance Company, Roslyn Packer Theatre Walsh Bay, May 1. At first glance the two works in Sydney Dance Company’s Orb look quite different but they are close kin under the skin and together make an exceptionally absorbing double bill. Cheng Tsung-lung, who choreographed…
Untamed: Sydney Dance Company
Wildebeest and Anima. Roslyn Packer Theatre Walsh Bay, Sydney, October 20. In the double bill Untamed, Gabrielle Nankivell’s Wildebeest and Rafael Bonachela’s Anima come at the same question – what is our true, essential nature? – from quite different perspectives. Nankivell sets humankind’s most primal impulses against the slick, guarded sophistications of modern life. The…
Triptych
Sydney Dance Company with ACO2 and Katie Noonan. Roslyn Packer Theatre Walsh Bay, Sydney, September 29. BENJAMIN Britten was in his 20s when he wrote the three works to which Rafael Bonachela responds so ardently in Triptych. Innocence, desire, joy, playfulness and sensuality all have their role in the music and the evocation of the…
Quintett, Frame of Mind
Sydney Theatre, March 9 and 10. IT was a great coup for Rafael Bonachela to secure William Forsythe’s Quintett for Sydney Dance Company. It is a jewel of the contemporary repertoire with so many facets and colours it could be seen again and again without exhausting its possibilities. And to see it danced as was…
Women to the fore
New Breed, Sydney Dance Company, Carriageworks, Sydney, November 4 AN enduring issue in dance is the predominance of male choreographers. This is overwhelmingly evident in ballet; less so in contemporary dance. Nevertheless, if you look at Sydney Dance Company’s programs over the past few years, the choreographers invited to join artistic director Rafael Bonachela on…
Let’s get physical
Louder Than Words, Sydney Dance Company. Sydney Theatre, October 8. IT’S hard to know where to begin with Andonis Foniadakis’s fantastical Parenthesis, a piece that turns the dial up to 11 and then some. Perhaps praise for Sydney Dance Company’s ferociously committed dancers should come first. They are a super-talented and game bunch who can…
iTMOi, Les Illuminations
Akram Khan Company, Drama Theatre, Sydney Opera House, August 28. Les Illuminations, Sydney Symphony Orchestra, Sydney Dance Company and Katie Noonan, The Studio, Sydney Opera House, August 28 AKRAM Khan is a choreographer with a hugely inquiring and generous mind. The list of his collaborators is long, stellar and diverse. He’s not a man content…
deborah jones: FollowSpot 