The return of John Cranko’s Romeo and Juliet to The Australian Ballet after nearly 20 years is a reminder of how few narrative ballets surpass it for range and complexity. Cranko’s version of Shakespeare’s tragedy, made in 1962 for Stuttgart Ballet, has been in TAB’s repertoire since 1974 and until 2003 was staged relatively regularly. Not all…
Tag: Jarryd Madden
Counterpointe, The Australian Ballet
Sydney Opera House, April 27, 2021 Does Counterpointe shine an illuminating light on the journey of classical dance from the 19th century to the 20th or is it a mighty clash of opposing forces? The Australian Ballet’s new artistic director, David Hallberg, sees it as the former. The Australian Ballet’s social media ads, on the other hand, frame Counterpointe as a…
The Nutcracker, The Australian Ballet
Sydney Opera House, November 30. The Australian Ballet doesn’t have an annual tradition of presenting The Nutcracker, although on present indications it could. The ballet doesn’t have as tight a grip on the public (or companies’ bottom lines) as it does in the United States but this year’s Nutcracker was pretty much sold out before…
Murphy: The Australian Ballet
Sydney Opera House, April 6 (evening) and 11 (matinee). It would have been the easiest thing in the world to give Graeme Murphy a conventional gala to celebrate his 50 years of association with The Australian Ballet, the company he joined as a member of the corps de ballet in 1968. The idea for the…
Nutcracker – The Story of Clara
The Australian Ballet, Sydney Opera House, May 2. Many decades ago, when I was visiting Canada, a young woman asked me whether Christmas was in June in Australia. She knew winter in the southern hemisphere happened in the middle months of the year. It followed then, that Christmas must be in June because Christmas is…
Nijinsky: The Australian Ballet
State Theatre, Melbourne, September 7; Joan Sutherland Theatre, Sydney Opera House, November 11. JOHN Neumeier, the choreographer and longtime artistic director of Hamburg Ballet, has made a deep study of Vaslav Nijinsky and is a noted collector of material associated with the dancer. Neumeier’s ballet on the subject is a natural extension of that passion,…
Symphony in C: The Australian Ballet
Sydney Opera House, April 29. Symphony in C is one of George Balanchine’s grandest and most cherished pronouncements on the classical tradition. It features a strict hierarchy that cascades down from principals and soloists to an all-female corps and ends in exhilarating fashion with more than 40 dancers onstage – a number at the lower…
Vitesse
The Australian Ballet, State Theatre, Melbourne, March 11. VITESSE presents three certified hits from three of the biggest names in contemporary ballet and turns the dial up as the evening progresses. It starts with one of Jiří Kylián’s mysterious appeals to the heart, takes a charge through the cerebral and physical complexities of William Forsythe…
A new generation rises to the challenge
Sydney Opera House, April 29. THE Australian Ballet’s first staging of Frederick Ashton’s Symphonic Variations alongside revivals of his coolly mysterious Monotones II and lucid, delightful one-act version of A Midsummer Night’s Dream is well overdue. Ashton’s choreography hasn’t surfaced at the AB since 2004 (the last time La Fille mal gardée was presented) and…
deborah jones: FollowSpot 