Oscar. Choreographed by Christopher Wheeldon. The Australian Ballet, Melbourne, September 13, 2024. Sydney, November 8, 2024.

Can something be simultaneously too much and not enough? That was the case for Oscar Wilde in his tumultuous, ill-fated, on-off relationship with the mercurial Lord Alfred Douglas and it’s the case with Oscar, Christopher Wheeldon’s new full-length work for The Australian Ballet. The extraordinarily rich score by Joby Talbot and Wheeldon’s abundant storytelling gifts join…

Jewels, The Australian Ballet, Adelaide Festival Centre, July 11. The Australian Ballet on Tour, Civic Theatre Newcastle, July 12

George Balanchine’s Jewels was premiered by the Australian Ballet as part of the company’s 60th anniversary celebrations last year and very welcome it was too. It’s unlike anything else in the repertoire and it’s hard to think of a work that, moment for moment, is more glamorous. Sydney, Melbourne and London saw it last year; now it’s Adelaide’s turn.  …

Swan Lake. The Australian Ballet, State Theatre, Melbourne, September 19-20, 2023

Tradition reigns in The Australian Ballet’s new Swan Lake, based on a fondly remembered 1977 production by former artistic director Anne Woolliams. Nearly 50 years on it’s still recognisable as her work, albeit with lashings of 21st-century glamour.  Swan Lake is the main event in artistic director David Hallberg’s celebration of the company’s 60th anniversary and in what…

The Australian Ballet at 60: Don Quixote, Identity, Jewels, April-May 2023

The way The Australian Ballet’s calendar works meant Sydney had a unique opportunity to assess the company’s form and direction at the halfway point of its 60th anniversary celebration year.  The ballets came thick and fast in the harbour city. After opening in Melbourne – TAB’s home base – in March, Don Quixote moved on to Sydney in…

Four Romeos and four Juliets at The Australian Ballet, October and December 2022

The return of John Cranko’s Romeo and Juliet to The Australian Ballet after nearly 20 years is a reminder of how few narrative ballets surpass it for range and complexity. Cranko’s version of Shakespeare’s tragedy, made in 1962 for Stuttgart Ballet, has been in TAB’s repertoire since 1974 and until 2003 was staged relatively regularly. Not all…