Kusch joins the AB; Cubans come to Brisbane

AS I foreshadowed on December 15 on my Diary page, Queensland Ballet has lost one of its principal artists, Natasha Kusch, to The Australian Ballet. Kusch was with QB for less than 18 months after leaving the Vienna State Opera Ballet. She joins the AB as a senior artist. In a press statement released today…

Daring smoke-and-mirrors act

Queensland Ballet, Playhouse, QPAC, Brisbane, August 1. ONE masterwork, a party piece and two relatively new dances that look far better than they are provide an entertaining but creatively uneven program at Queensland Ballet. Very much on the plus side is that the company looks energised despite the rigours of the Romeo and Juliet season…

Rojo, McRae, Acosta at QB

 Queensland Ballet, Brisbane, June 27, July 1,2,3 ROMEO and Juliet was a success in every possible way for Queensland Ballet, starting with the very fact of its presence in Brisbane. Kenneth MacMillan’s ballet is the gold standard for dance versions of Shakespeare’s play and is monumental, needing much larger forces than QB can ordinarily summon….

Affecting ardour

Queensland Ballet, Lyric Theatre, Brisbane, June 27 KENNETH MacMillan’s Romeo and Juliet is big in every way. At street level testosterone-fuelled gangs jostle and fight in the marketplace, revelling in their ancient grudge, as Shakespeare called it. Inside the great house of Lord Capulet the tumult is even greater, but is within the hearts of…

Dance in 2013

THE Australian dance-lover had plenty to enjoy in 2013, as long as there was a decent travel budget to hand. Paris Opera Ballet returned to Sydney, the Bolshoi had a season in Brisbane, The Australian Ballet premiered a new version of Cinderella by Alexei Ratmansky (Melbourne and Sydney only, although Adelaide sees it in 2014),…

2013: a retrospective

Here’s my take on the year’s high points. As many have noted before me, “best” is a useless word when applied to the cornucopia available in the arts. Here are the people and productions that most inspired me. “A SHORT show is a good show,” we all carol (me and my fellow critics) as we…

QB Nutcracker; David Hallberg at the AB

The Nutcracker, Queensland Ballet, Playhouse, QPAC, Brisbane, December 7 Cinderella, The Australian Ballet, Sydney Opera House, Sydney, December 14 IN many places in the northern hemisphere, but particularly in the US, seeing The Nutcracker at Christmas is as necessary as having gifts and dressing a tree. There’s another necessity too: so popular has The Nutcracker…

La Sylphide

The Australian Ballet, Sydney Opera House, November 7 WHAT to do about a ballet as dreamily brief as La Sylphide? In the middle of this year West Australian Ballet took the minimalist approach and added nothing to fill out the evening. Over the years the Australian Ballet has taken several paths. In 1996, under Maina…

Shaping an Australian ballet company

WHEN the ebullient Ivan Cavallari accepted an artistic directorship in France, West Australian Ballet’s board knew exactly what it wanted in his replacement. Starting in 2007, Cavallari and WAB general manager Steven Roth had successfully pushed for more funding, an increase in permanent dancer numbers from 19 to 32 and had secured splendid new headquarters….

The Australian Ballet launches a new look

The Australian Ballet’s 2014 season introduces a few surprises IT used to be chiselled in stone. Every mainstage season of the Australian Ballet in Melbourne would have 11 or 12 performances and in Sydney, in the smaller Joan Sutherland Theatre, there would be 20 or thereabouts.  It didn’t matter if it was Swan Lake or…