Kiri Te Kanawa Theatre, Auckland, December 5. It is no small thing to make a full-length narrative ballet that wins its place in a company’s repertoire. Many are attempted and many end up as red lines on a balance sheet unless sets and costumes can be sold or repurposed. Most happily, Loughlan Prior’s Hansel &…
Tag: Loughlan Prior
Bespoke, Queensland Ballet
Brisbane Powerhouse, November 9. This year’s Bespoke triple bill could hardly be more diverse. It starts with neo-classicism and finishes with emotions, memories and personalities to the fore. In between the two is a work that insists dancers and audiences go well beyond their comfort zone and deliberately defies easy analysis. That work in the…
New era at RNZB
The question had to be asked. Is Patricia Barker at Royal New Zealand Ballet for the long haul? Her predecessor but one as artistic director, fellow American Ethan Stiefel, saw out his three-year contract but decided not to renew. Barker’s immediate predecessor, Francesco Ventriglia, announced his resignation last November only two years into his tenure…
The Wizard of Oz, Royal New Zealand Ballet
St James Theatre, Wellington, May 4. The Wizard of Oz has had quite a journey on its way to Royal New Zealand Ballet and the St James Theatre in Wellington, New Zealand’s capital. The ballet was originally conceived for Florence’s MaggioDanza and got all the way to the dress rehearsal. Then the ceiling of the…
deborah jones: FollowSpot 