Concourse Theatre, Sydney, March 12 Melbourne Ballet Company’s new triple bill Being & Time has lofty aspirations. It takes its title from Martin Heidegger and its themes from existentialism, or at least that is what one gathers from the program notes, which baffle more than they enlighten. In the case of MBC resident director Simon…
Tag: Lucas Jervies
Hidden Sydney and other current theatre
Poor old Kings Cross. It used to have a bit of glamour back in the day, what with its famous crims, flamboyant, unconventional characters and nightclubs that could attract international performers. Now a stroll up Darlinghurst Road of an evening is an exercise in swerving around backpackers and wondering how the small businesses manage to…
Thrills and spills: the year in dance
We’ll get to the year’s most interesting work and dancers shortly but 2015 was also notable for offstage developments, particularly at Australia’s three leading classical companies, The Australian Ballet, Queensland Ballet and West Australian Ballet. So let’s begin there. OFFSTAGE The national company At The Australian Ballet, David McAllister became the company’s longest-serving artistic director, surpassing…
Beauty in the eye of the beholder
Revelations in New York, stars made at The Australian Ballet, Alina Cojocaru in Brisbane and more … The Australian Ballet dubbed its 2015 season A Year of Beauty. Giselle, Swan Lake, Cinderella and Frederick Ashton’s The Dream were on the program, lovely ballets all, but essentially teasers for the main event – the new Sleeping…
Into the woods
Melbourne, September 15 THE Australian Ballet and its audiences have a great deal invested in David McAllister’s new Sleeping Beauty, in both senses of the word. The first is financial: this Beauty cost more than $2 million to produce and 70 per cent of its financing was provided by ballet-lovers. The program lists hundreds of…
‘I am in the right place’
Robert Curran was a long-serving principal artist with The Australian Ballet, from which he retired in 2011. He’s now leading a small company in the United States and relishing a role that is both very similar – ballet is ballet, the studio is the studio – and yet very different from his former life. LOUISVILLE…
Distinctions and evaluations
Les Misérables, Capitol Theatre, Sydney, April 26; Aida, Handa Opera on Sydney Harbour, Fleet Steps, Sydney, April 27 A COUPLE of years ago I interviewed Stephen Sondheim ahead of the Melbourne season of A Funny Thing Happened on the Way to the Forum, and I’m afraid I really didn’t get anything out of him that he…
deborah jones: FollowSpot 