Bespoke, Queensland Ballet

Brisbane Powerhouse, November 9. This year’s Bespoke triple bill could hardly be more diverse. It starts with neo-classicism and finishes with emotions, memories and personalities to the fore. In between the two is a work that insists dancers and audiences go well beyond their comfort zone and deliberately defies easy analysis. That work in the…

The Masters Series, Queensland Ballet

Queensland Performing Arts Centre, Brisbane, May 17 and 18 (matinee) Old politicians are never the ones who die in battle, are they? Jiří Kylián’s Soldier’s Mass (1980) isn’t the only ballet to illustrate that poignant truth but it is one of the most affecting. With Bohuslav Martinů’s anguished Field Mass (1939) ringing in their ears, 12 young…

Dangerous Liaisons, Queensland Ballet

Queensland Performing Arts Centre, Brisbane, March 23. Dangerous Liaisons is not suitable for children, advises Queensland Ballet. Too true. Sex is the currency in this world and there’s a lot of it. In the first few minutes of Liam Scarlett’s new ballet a couple copulates on a coffin, setting the tone for what’s to come. When…

Carmen & The Firebird, Queensland Ballet

Queensland Performing Arts Centre, May 26. You win some and you lose some. Queensland Ballet is a co-producer of Carlos Acosta’s Carmen with The Royal Ballet and Texas Ballet Theater, which means QB’s name is attached to it forever. I doubt I’ve seen a worse ballet from reputable companies in more than 40 years. I’m not…

La Bayadère, Queensland Ballet

Playhouse, Queensland Performing Arts Centre, March 16. La Bayadère is a difficult ballet to take seriously in the 21st century and Queensland Ballet’s new production does it few favours. Despite some fine dancing the abiding impression is of a narrative in sore need of stringent dramaturgical intervention. Greg Horsman’s revision invites – no, demands –…

Swan Lake, Queensland Ballet

Queensland Performing Arts Centre, May 5. Queensland Ballet’s Swan Lake had a 42nd Street quality on opening night as junior company member Joel Woellner was chosen to dance Prince Siegfried alongside the seasoned Odette-Odile of QB principal artist – and former top-ranked star at the National Ballet of Cuba – Yanela Piñera. Piñera has presence…

My year in dance

Anne Teresa De Keersmaeker and Pina Bausch made my year. For his final Sydney Festival in January, artistic director Lieven Bertels programmed two bracing De Keersmaeker works, Fase and Vortex Temporum, and the huge thrill was seeing the choreographer herself in Fase (my review is here). Living dance history. Festival clout and money also made…

Giselle: Royal New Zealand Ballet

Isaac Theatre Royal, Christchurch, August 23 Every traditional Giselle is drawn in the same broad strokes; it’s the myriad finer details that distinguish one production from another, making yet another Giselle not just another Giselle, but a vivid and immediate experience. At the end of the first act, for instance, Giselle lies dead, literally heartbroken…

The Wizard of Oz, Royal New Zealand Ballet

St James Theatre, Wellington, May 4. The Wizard of Oz has had quite a journey on its way to Royal New Zealand Ballet and the St James Theatre in Wellington, New Zealand’s capital. The ballet was originally conceived for Florence’s MaggioDanza and got all the way to the dress rehearsal. Then the ceiling of the…

Liam Scarlett’s A Midsummer Night’s Dream arrives in Brisbane

There wouldn’t be too many 29-year-old men who know exactly where they are going to be in five years. Not in a general sense, as in being pretty sure about being promoted, or settling down with a partner and children, but precisely, literally. As in a date, a place, a specific task. Liam Scarlett does. We…