My year in dance

Anne Teresa De Keersmaeker and Pina Bausch made my year. For his final Sydney Festival in January, artistic director Lieven Bertels programmed two bracing De Keersmaeker works, Fase and Vortex Temporum, and the huge thrill was seeing the choreographer herself in Fase (my review is here). Living dance history. Festival clout and money also made…

Sidi Larbi Cherkaoui’s Apocrifu

Perth International Arts Festival, February 25. “In the beginning was the Word,” begins the Gospel according to St John, “and the Word was with God, and the Word was God.” But whose god prevails, given that every major religion has its holy book and claims the primacy of its word over all others? Sidi Larbi…

Meow Meow’s Little Mermaid

Sydney Festival, January 8. The Hans Christian Andersen tale on which Meow Meow has based her new show is typically gruesome: an innocent young creature gladly endures unspeakable agonies in order to be close to Prince Right, only to see him promptly marry someone else. In an interview in November 2011, with Steve Dow, she…

The festive season

THE last crumbs of Christmas cake have scarcely been brushed from the lips, the last Champagne bottles are not yet in the recycling bin and New Year’s resolutions are still full of shiny potential. ‘Tis the season for rest, recreation, family and friends. Or, for those of us whose calendars are ruled not by the…

Thrills and spills: the year in dance

We’ll get to the year’s most interesting work and dancers shortly but 2015 was also notable for offstage developments, particularly at Australia’s three leading classical companies, The Australian Ballet, Queensland Ballet and West Australian Ballet. So let’s begin there. OFFSTAGE The national company At The Australian Ballet, David McAllister became the company’s longest-serving artistic director, surpassing…

In which I fail to stop my list at 10

THIS year I saw more than 200 performances and, over the past week or so, have written about the people, plays, operas, dance works and musicals that spoke to me most strongly. Now I cull the list to 14 – just because that’s how it turned out – and a supplementary, the last being something…

2013: a retrospective

Here’s my take on the year’s high points. As many have noted before me, “best” is a useless word when applied to the cornucopia available in the arts. Here are the people and productions that most inspired me. “A SHORT show is a good show,” we all carol (me and my fellow critics) as we…

Dance Better at Parties

Sydney Theatre Company, April 9 DAVE would appear to have come to the wrong place. The ugly suburban dance school with its poo-brown floor and unforgiving fluoros offers private lessons in the rumba, tango, paso doble and other glittering ballroom arts. You buy a block of 10, sign here for direct debit, initial the injury…

February wrap

A quick look at what February brought in the theatre in Sydney, and beyond … AT this year’s Perth International Arts Festival I was able to see, in one evening, the festival’s biggest and smallest pieces of theatre – The Threepenny Opera from the Berliner Ensemble, weighing in at about three hours and filling His…

School Dance, The Blind Date Project, The Peony Pavilion, The Secret River, Sydney Festival

School Dance, Sydney Theatre Company presents the Windmill Theatre production in association with the Sydney Festival. Also Merrigong Theatre Company, Wollongong, February 7-9; Melbourne Arts Centre, April 10-20; Brisbane Powerhouse, July 31-August 3 The Blind Date Project, Ride on Theatre, Sydney Festival The Peony Pavilion, Northern Kunqu Opera Theatre, Sydney Festival The Secret River, Sydney…