Romeo and Juliet, Queensland Ballet

Queensland Performing Arts Centre, Brisbane, August 28. When Queensland Ballet staged Kenneth MacMillan’s Romeo and Juliet in 2014 the then-small company took a huge risk, although one mitigated by bringing in superstars Carlos Acosta, Tamara Rojo and Steven McRae to partner QB principal artists. The gamble paid off. The season was a record-breaking success and, more importantly,…

Synergy, Queensland Ballet

Judith Wright Centre of Contemporary Arts, Brisbane, June 28 Synergy is a small, unpretentious program that’s partly a place where emerging choreographers can test their capabilities and partly where Queensland Ballet’s Young Artists and members of its Pre-Professional year can get some stage time. Both these things are important aspects of QB’s remit but, at least in this year’s…

The Masters Series, Queensland Ballet

Queensland Performing Arts Centre, Brisbane, May 17 and 18 (matinee) Old politicians are never the ones who die in battle, are they? Jiří Kylián’s Soldier’s Mass (1980) isn’t the only ballet to illustrate that poignant truth but it is one of the most affecting. With Bohuslav Martinů’s anguished Field Mass (1939) ringing in their ears, 12 young…

Dangerous Liaisons, Queensland Ballet

Queensland Performing Arts Centre, Brisbane, March 23. Dangerous Liaisons is not suitable for children, advises Queensland Ballet. Too true. Sex is the currency in this world and there’s a lot of it. In the first few minutes of Liam Scarlett’s new ballet a couple copulates on a coffin, setting the tone for what’s to come. When…

The Australian Ballet and Queensland Ballet reveal 2019 programs

Alice Topp was yesterday named The Australian Ballet’s fourth resident choreographer, joining Stephen Baynes and Stanton Welch, (both appointed in 1995) and Tim Harbour (2014). Topp, a coryphée with the company, is the second woman to be given the title following Natalie Weir. It’s been a long time between drinks: Weir held the post for…

La Bayadère, Queensland Ballet

Playhouse, Queensland Performing Arts Centre, March 16. La Bayadère is a difficult ballet to take seriously in the 21st century and Queensland Ballet’s new production does it few favours. Despite some fine dancing the abiding impression is of a narrative in sore need of stringent dramaturgical intervention. Greg Horsman’s revision invites – no, demands –…

A new year dawns at RNZB

Biographies of the new intake at Royal New Zealand Ballet are now on the website after last year’s bruising and very public exodus of a large number of dancers. There are currently 32 dancers pictured on the site, 22 of whom were still standing at the end of 2017. Now the dust has settled it…

Li and QB: my artists of the year

My first Artist of the Year, in 2015, was operatic mezzo, cabaret sensation, music-theatre star and all-round fine human being Jacqueline Dark. Last year I went for a large, disparate group of people and companies – the independent theatre artists who do tremendous work at low prices, making their art accessible to all often at…

Big dancer turnover at RNZB

Royal New Zealand Ballet artistic director Patricia Barker will preside over a significantly different group of dancers next year from those the American inherited when she was appointed to her role in June this year. Of the 36 dancers currently listed on the RNZB website, it appears that, in line with rumours doing the rounds…