Francesco Ventriglia and Royal New Zealand Ballet

A year into his artistic directorship, Francesco Ventriglia talks about his goals for Royal New Zealand Ballet and his first program for the company  “My life is where I can have a theatre, where I can have dancers, where I can have a space to express my creativity. I don’t care if it’s Milan or…

Triptych

Sydney Dance Company with ACO2 and Katie Noonan. Roslyn Packer Theatre Walsh Bay, Sydney, September 29. BENJAMIN Britten was in his 20s when he wrote the three works to which Rafael Bonachela responds so ardently in Triptych. Innocence, desire, joy, playfulness and sensuality all have their role in the music and the evocation of the…

Quintett, Frame of Mind

Sydney Theatre, March 9 and 10. IT was a great coup for Rafael Bonachela to secure William Forsythe’s Quintett for Sydney Dance Company. It is a jewel of the contemporary repertoire with so many facets and colours it could be seen again and again without exhausting its possibilities. And to see it danced as was…

Top 10 in dance for 2014

DANCE is my great passion but this year there wasn’t a huge amount to bowl me over.Certainly I saw plenty of fine dancing – when does one not? – but in classical ballet there were few new works of substance. Well, none actually. There were pleasing new versions of existing ballets, although they didn’t quite…

Women to the fore

New Breed, Sydney Dance Company, Carriageworks, Sydney, November 4 AN enduring issue in dance is the predominance of male choreographers. This is overwhelmingly evident in ballet; less so in contemporary dance. Nevertheless, if you look at Sydney Dance Company’s programs over the past few years, the choreographers invited to join artistic director Rafael Bonachela on…

Let’s get physical

Louder Than Words, Sydney Dance Company. Sydney Theatre, October 8. IT’S hard to know where to begin with Andonis Foniadakis’s fantastical Parenthesis, a piece that turns the dial up to 11 and then some. Perhaps praise for Sydney Dance Company’s ferociously committed dancers should come first. They are a super-talented and game bunch who can…

Interplay, Sydney Dance Company

Sydney Theatre, March 17 WHAT a rich, diverse evening this is. Sydney Dance Company’s Interplay offers three works, any two of which would have given a stimulating experience, but who’s complaining? Each makes a strong appeal to a different human need and shows the SDC dancers in shape-shifting, magisterial form. Rafael Bonachela takes on Bach’s…

Dance in 2013

THE Australian dance-lover had plenty to enjoy in 2013, as long as there was a decent travel budget to hand. Paris Opera Ballet returned to Sydney, the Bolshoi had a season in Brisbane, The Australian Ballet premiered a new version of Cinderella by Alexei Ratmansky (Melbourne and Sydney only, although Adelaide sees it in 2014),…

2013: a retrospective

Here’s my take on the year’s high points. As many have noted before me, “best” is a useless word when applied to the cornucopia available in the arts. Here are the people and productions that most inspired me. “A SHORT show is a good show,” we all carol (me and my fellow critics) as we…

iTMOi, Les Illuminations

Akram Khan Company, Drama Theatre, Sydney Opera House, August 28. Les Illuminations, Sydney Symphony Orchestra, Sydney Dance Company and Katie Noonan, The Studio, Sydney Opera House, August 28 AKRAM Khan is a choreographer with a hugely inquiring and generous mind. The list of his collaborators is long, stellar and diverse. He’s not a man content…