THREE, Australasian Dance Collective, Brisbane

Playhouse Theatre, Queensland Performing Arts Centre, May 26, 2021 Amy Hollingsworth’s relief was palpable and profound. THREE had finally arrived. It was 14 months late, but it was here. The triple bill of two new works and an important Australian premiere was to have introduced Hollingsworth’s Australasian Dance Collective to the Brisbane public last year on April…

Colossus, Stephanie Lake Company

Carriageworks, Sydney Festival, January 16 The short Sydney Festival season of Stephanie Lake’s Colossus has ended but the show is by no means over. Next month it will be seen at the Perth Festival and very likely beyond. Lake has said there are possible international engagements to come. Colossus premiered at the Melbourne Fringe in 2018…

Matrix, Expressions Dance Company and Beijing Dance/LTDX

Works by Stephanie Lake and Ma Bo. Queanbeyan Performing Arts Centre, NSW, November 7. New works by Australia’s Stephanie Lake and China’s Ma Bo make up a double bill where similarities are much more obvious than differences. It’s not that the pieces look particularly alike (apart from an aspect of their endings) or have a…

Bespoke, Queensland Ballet

Brisbane Powerhouse, February 10. Bespoke is a new-choreography program that shows Queensland Ballet moving up yet another gear and broadening its horizons. So far in Li Cunxin’s artistic directorship new contemporary work on the schedule has either fallen into the annual triple bill, of which there is always only one (although none in 2015), or…

My year in dance

Anne Teresa De Keersmaeker and Pina Bausch made my year. For his final Sydney Festival in January, artistic director Lieven Bertels programmed two bracing De Keersmaeker works, Fase and Vortex Temporum, and the huge thrill was seeing the choreographer herself in Fase (my review is here). Living dance history. Festival clout and money also made…