The Australian Ballet National Tour, Wollongong, July 25, 2025

Whenever I am within cooee of a venue for The Australian Ballet’s regional tour I will be there. Port Macquarie, 2023; Newcastle, 2024; Wollongong, 2025. Other places in other years too. I recall a rather long drive to Bathurst eons ago and a Giselle at The Concourse in Sydney’s Chatswood.  I note that TAB now calls this…

The year in review: 2024

It’s been a few years since I’ve done a year’s-best list. Everyone loves a list, including me, and it’s fun to see what others found memorable. But while I’m always happy to share my opinions about live performance it’s a bit of a mug’s game to say this thing was “better” than that thing when…

Oscar. Choreographed by Christopher Wheeldon. The Australian Ballet, Melbourne, September 13, 2024. Sydney, November 8, 2024.

Can something be simultaneously too much and not enough? That was the case for Oscar Wilde in his tumultuous, ill-fated, on-off relationship with the mercurial Lord Alfred Douglas and it’s the case with Oscar, Christopher Wheeldon’s new full-length work for The Australian Ballet. The extraordinarily rich score by Joby Talbot and Wheeldon’s abundant storytelling gifts join…

Royal New Zealand Ballet artistic director Ty King-Wall

Ty King-Wall finished his ballet career at the top, retiring from The Australian Ballet as a principal artist. By the time he stopped dancing in 2022 he had two young children, one born just weeks before his final performance. His wife, former TAB principal Amber Scott, made her farewell to the stage last year.  King-Wall…

Four Romeos and four Juliets at The Australian Ballet, October and December 2022

The return of John Cranko’s Romeo and Juliet to The Australian Ballet after nearly 20 years is a reminder of how few narrative ballets surpass it for range and complexity. Cranko’s version of Shakespeare’s tragedy, made in 1962 for Stuttgart Ballet, has been in TAB’s repertoire since 1974 and until 2003 was staged relatively regularly. Not all…

Instruments of Dance, The Australian Ballet, Sydney Opera House, November 10, 2022

Australian audiences know Wayne McGregor from Dyad 1929, made in 2009 as part of The Australian Ballet’s Ballets Russes celebration; Chroma, choreographed in 2006 and brought into the repertoire in 2014; and Infra, staged by TAB in 2017 but dating from 2008. Obsidian Tear, the opening work in the Instruments of Dance triple bill, is not that Wayne McGregor. Absent…

Three ballet companies, three distinctive looks in 2023

Australia’s three leading classical companies have released their 2023 programs, each with a distinctive flavour. The Australian Ballet has a deeply glamorous 60thanniversary season, West Australian Ballet’s line-up gratifyingly features a strong list of female choreographers and at Queensland Ballet the premiere of Cathy Marston’s My Brilliant Career will make Brisbane a must in June. Another must…