One evening, four works

The Australian Ballet, Sydney Opera House, April 29. LET’S start with the very best bit first. The Australian Opera and Ballet Orchestra had a particularly good night on Tuesday under Australian Ballet music director Nicolette Fraillon’s leadership. The quadruple bill Chroma covers a lot of ground: Mozart for Jiri Kylian’s Petite Mort and Sechs Tanze,…

Lucinda Dunn, Cojocaru and Kobborg

The Australian Ballet, Sydney Opera House, April 22 and 23 AS the curtain came down on Lucinda Dunn’s farewell performance for The Australian Ballet she wept, the streamers flew, the audience roared and an era ended. Dunn has been with the AB for 23 years, longer than any other ballerina, and was a principal artist…

The Australian Ballet launches a new look

The Australian Ballet’s 2014 season introduces a few surprises IT used to be chiselled in stone. Every mainstage season of the Australian Ballet in Melbourne would have 11 or 12 performances and in Sydney, in the smaller Joan Sutherland Theatre, there would be 20 or thereabouts.  It didn’t matter if it was Swan Lake or…

Vanguard

 The Australian Ballet, Sydney Opera House, April 30 GEORGE Balanchine was indisputably a game-changer, to use the Australian Ballet’s phrase in explaining the ethos behind Vanguard, the triple bill that opened in Sydney on April 30. The game-changer tag is somewhat less cut and dried in the case of Jiri Kylian and Wayne McGregor, who…

Ty King-Wall

The Australian Ballet has a new principal artist WHEN David McAllister walks onstage at the end of an Australian Ballet performance it usually means just one thing, and so it was the afternoon of April 6  in Sydney. McAllister named Ty King-Wall, 26, the AB’s newest principal artist after his performance as Basilio in Don…