Sydney Theatre Awards 2015

AT the Sydney Theatre Awards no one need ever fear a journalist asking them “who are you wearing” or indeed have any need of a stylist. There is no red carpet at the Paddington RSL, there are no TV cameras. The proceedings could be described as low-key, or even a little bit daggy if you wish, but it is always such a happy night. Yes, theatre practitioners are in competition with one another for our awards – I’m one of the Sydney critics whose votes determine the winners – but there is great warmth and good will in the room. As Belvoir’s new artistic director Eamon Flack said on Monday night when the awards for 2015 were announced, this is the one occasion when the industry gets together.

It’s also an occasion on which the tables are turned, slightly, on the critics, as we troop onstage to introduce presenters, ask those present to remember colleagues who have died in the past year, announce special awards and pay tribute to all the theatre workers who never get awards but whose backroom toil is essential. We’re always frightfully nervous about getting up in front of a room of theatre professionals but they are very kind.

This year’s highlights included passionate state-of-the-arts speeches from Flack and from Griffin’s artistic director Lee Lewis; a fantastically funny version of My Favourite Things specially written for the occasion by Dash Kruck and performed by him; a gorgeously heartfelt acceptance speech from James Millar when he won best supporting actor in a musical for his Miss Trunchbull in Matilda; Esther Hannaford’s performance of I’ll Hold On from the Nick Enright-Max Lambert musical Miracle City that got the audience to its feet (Lambert was on piano); and the bright presence of the four little girls – Molly Barwick, Sasha Rose, Georgie Taplin and Bella Thomas – who shared the role of Matilda and received our Special Achievement Award.

The Lifetime Achievement Award was accepted by Christine Dunstan, a woman steeped in many aspects of theatre for more than 50 years since starting her working life as an assistant stage manager. She founded her production company CDP in 1993 and it has been particularly active in making high-quality theatre for children. (CDP won the 2015 Sydney Theatre Award for best production for children for The 52-Storey Treehouse.) CDP also takes productions to many regional Australian centres and tours productions internationally.

Ivanov

Belvoir’s Ivanov: Ewen Leslie, centre on the sofa, with John Howard, AirlieDodds, Blazey Best, Helen Thomson and John Bell

2015 SYDNEY THEATRE AWARD WINNERS

BEST MAINSTAGE PRODUCTION

Ivanov (Belvoir)

BEST INDEPENDENT PRODUCTION

Of Mice and Men (Sport for Jove and Seymour Centre)

BEST DIRECTION OF A MAINSTAGE PRODUCTION

Eamon Flack (Ivanov)

BEST DIRECTION OF AN INDEPENDENT PRODUCTION

Iain Sinclair (Of Mice and Men)

BEST ACTRESS IN A LEADING ROLE IN A MAINSTAGE PRODUCTION

Eryn Jean Norvill (Suddenly Last Summer)

BEST ACTOR IN A LEADING ROLE IN A MAINSTAGE PRODUCTION

Hugo Weaving (Endgame)

BEST ACTRESS IN A LEADING ROLE IN AN INDEPENDENT PRODUCTION

Kate Cole (Grounded)

BEST ACTOR IN A LEADING ROLE IN AN INDEPENDENT PRODUCTION

Thomas Campbell (Misterman)

BEST ACTRESS IN A SUPPORTING ROLE IN A MAINSTAGE PRODUCTION

Blazey Best (Ivanov)

BEST ACTOR IN A SUPPORTING ROLE IN A MAINSTAGE PRODUCTION

John Howard (Ivanov)

BEST ACTRESS IN A SUPPORTING ROLE IN AN INDEPENDENT PRODUCTION

Taylor Ferguson (Good Works)

BEST ACTOR IN A SUPPORTING ROLE IN AN INDEPENDENT PRODUCTION

Jeremy Waters, James Bell, Ben Wood in The Aliens (c) Rupert Reid

James Bell, centre. Photo: Rupert Reid

James Bell (The Aliens)

BEST STAGE DESIGN OF A MAINSTAGE PRODUCTION

Nick Schlieper (Endgame)

BEST STAGE DESIGN OF AN INDEPENDENT PRODUCTION

Michael Hankin (Of Mice and Men)

BEST COSTUME DESIGN OF A MAINSTAGE PRODUCTION

Alice Babidge (Suddenly Last Summer)

BEST COSTUME DESIGN OF AN INDEPENDENT PRODUCTION

Angela White (Heathers)

BEST LIGHTING DESIGN OF A MAINSTAGE PRODUCTION

Paul Jackson (Love and Information)

BEST LIGHTING DESIGN OF AN INDEPENDENT PRODUCTION

Hartley TA Kemp (Misterman)

BEST SCORE OR SOUND DESIGN OF A MAINSTAGE PRODUCTION

The Sweats (Love and Information)

BEST SCORE OR SOUND DESIGN OF AN INDEPENDENT PRODUCTION

Nate Edmondson (Misterman)

BEST NEW AUSTRALIAN WORK

The Bleeding Tree (Angus Cerini)

BEST NEWCOMER

Lauren McKenna (Heathers)

BEST ENSEMBLE CAST

After Dinner (Sydney Theatre Company)

BEST PRODUCTION OF A MAINSTREAM MUSICAL

Matilda (The Royal Shakespeare Company, Louise Withers, Michael Coppel and Michael Watt)

BEST PRODUCTION OF AN INDEPENDENT MUSICAL

Violet (Blue Saint Productions in association with Hayes Theatre Co)

BEST DIRECTION OF A MUSICAL

Mitchell Butel (Violet)

JUDITH JOHNSON AWARD FOR BEST PERFORMANCE BY AN ACTRESS IN A MUSICAL

SOM5070_Production-Photography-by-James-Morgan_R-1024x681

Amy Lepahmer. Photo: James Morgan

Amy Lehpamer (The Sound of Music)

JUDITH JOHNSON AWARD FOR BEST PERFORMANCE BY AN ACTOR IN A MUSICAL

Hayden Tee (Les Miserables)

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MUSICAL

Elise McCann (Matilda)

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MUSICAL

James Millar (Matilda)

BEST MUSICAL DIRECTION

Lucy Bermingham (Violet)

BEST CABARET PRODUCTION

Josie Lane (Asian Provocateur)

BEST PRODUCTION FOR CHILDREN

The 52-Storey Treehouse (CDP)

BEST PRODUCTION FOR YOUNG PEOPLE

War Crimes (ATYP)

SPECIAL ACHIEVEMENT AWARD

Molly Barwick, Sasha Rose, Georgia Taplin, Bella Thomas (Matilda)

MOLLY_BARWICK_AND_ELISE_MCCANN_PIC_BY_JAMES_MORGAN

Molly Barwick with Elise McCann in Matilda. Photo: James Morgan

LIFETIME ACHIEVEMENT AWARD

Christine Dunstan

2 thoughts on “Sydney Theatre Awards 2015

  1. I wish we had an awards arrangement like this in Melbourne, i.e. awards decided by critics. Reviewers are the ones who see everything, and have no vested interest in choosing nominees/winners.
    I love the selections awarded this year. Congratulations to the winners, and thank you to the panel for all the work involved.

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