Bangarra Dance Theatre, Drama Theatre, Sydney Opera House, June 16 Bangarra offers balm in a fractured, fractious world. As always the work is radiantly lovely, but more important are underlying principles that have propelled Bangarra for more than a quarter of a century: connection with the land, learning from the past, the glue of community…
Category: Dance
Robyn Hendricks promoted to principal artist at The Australian Ballet
In what has become a tradition at The Australian Ballet, Robyn Hendricks was promoted on stage on Friday in Melbourne to the highest rank of principal artist. She was elevated by artistic director David McAllister after dancing Odette-Odile in Stephen Baynes’s production of Swan Lake. Hendricks joined the AB in 2005, became a soloist in…
About last week … May 7-13
Last week there was only one story … Berlin has a population of about 3.5 million. Its three opera companies – Deutsche Oper Belin, Deutsche Staatsoper and Komische Oper – are funded quite well by the city. In 2014/2015 the combined subsidy was €123,481,000. (The German Government throws the Staatsoper a bit extra as well.)…
About last week … April 30-May 6
A week of contrasts started on Tuesday at the Sydney Opera House with the marvellous Bernadette Robinson in Pennsylvania Avenue, her follow-up to Songs for Nobodies. Both were written by Joanna Murray-Smith to give a narrative framework for Robinson’s rare talent and if Songs for Nobodies strikes one as the much better work, Pennsylvania Avenue…
The Wizard of Oz, Royal New Zealand Ballet
St James Theatre, Wellington, May 4. The Wizard of Oz has had quite a journey on its way to Royal New Zealand Ballet and the St James Theatre in Wellington, New Zealand’s capital. The ballet was originally conceived for Florence’s MaggioDanza and got all the way to the dress rehearsal. Then the ceiling of the…
Symphony in C: The Australian Ballet
Sydney Opera House, April 29. Symphony in C is one of George Balanchine’s grandest and most cherished pronouncements on the classical tradition. It features a strict hierarchy that cascades down from principals and soloists to an all-female corps and ends in exhilarating fashion with more than 40 dancers onstage – a number at the lower…
In conversation with Deborah Jowitt
New York-based Deborah Jowitt is one of the world’s most eminent dance critics. She wrote for The Village Voice for 44 years, is a biographer, speaker and lecturer, and has been in Melbourne to conduct a workshop as part of the Keir Choreographic Award. As a performer in the 1950s and 1960s Jowitt worked with…
Swan Lake: Sydney summing up
The Australian Ballet, Sydney, March 31, April 2, April 5, April 16. The Australian Ballet will undoubtedly stick with Stephen Baynes’s 2012 production of Swan Lake – now being revived for the first time – for many a year to come. It has sold out 21 performances at the Sydney Opera House and a check…
About last week … April 2-8
In the week just gone I went again to The Australian Ballet’s Swan Lake, this time to see Lana Jones as O/O. I’ll wait until I’ve seen Natasha Kusch – coming up at the Saturday matinee – before I embark on a full discussion of Stephen Baynes’s production and the key exponents. In the meantime…
Ako Kondo’s Odette/Odile debut in The Australian Ballet’s Swan Lake
Sydney Opera House, April 2. The chance to see a dancer’s first Odette/Odile will always be a drawcard for the truly dedicated ballet-goer, no matter how many times they have seen Swan Lake. Early this month Australian Ballet principal artist Ako Kondo added the role to her repertoire with a performance that revealed many individual…
