Trisha Brown Dance Company. From All Angles: Pure Movement Program 1, October 23; Early Works, October 26 (afternoon); Pure Movement Program 2, October 26 (evening) Chunky Move, Complexity of Belonging, October 9 Heiner Goebbels, When the Mountain Changed Its Clothing, October 26 (afternoon) The Trouble with Harry, October 23 (afternoon) TRISHA Brown’s dance-making is deeply concerned…
Category: Theatre
Tragedy, Tragi-comedy and lots of Sondheim
The Glass Menagerie, Belvoir, September 30 Howie the Rookie, Red Line Productions in association with Strange Duck Productions and Sydney Independent Theatre Company, Old Fitzroy Theatre, October 2 Sondheim on Sondheim, Squabbalogic Independent Music Theatre, Reginald Theatre, Seymour Centre, October 3 EAMON Flack’s production of The Glass Menagerie for Belvoir is very beautiful; perhaps too…
Two up, two down
The Motherf**ker with the Hat, Darlinghurst Theatre Company and Workhorse Theatre Company, September 23 Children of the Sun, Sydney Theatre Company, September 24 (matinee) The Last Confession, Chichester Festival Theatre production, Theatre Royal, Sydney, September 24 (evening) Wicked, Capitol Theatre, Sydney, September 25 LET’S start with Wicked. It’s not quite The Lion King, which last…
Love, death, politics …
Kryptonite, Sydney Theatre Company, September 16; Unholy Ghosts, Griffin Theatre Company, September 17; LoveBites, White Horse Productions with Hayes Theatre Co, September 18. ON the face of it Kryptonite, Unholy Ghosts and LoveBites have nothing in common except taking place in a theatre, but seeing the three on consecutive evenings made me think of them as a…
‘No vine leaves? Whatever.’
Belvoir, July 8 ADENA Jacobs’s production of Hedda Gabler is perverse not for her casting of a man as Hedda – it’s an intriguing starting point – but for the failure to make anything much of it. Belvoir’s Hedda Gabler is weightless to quite a marvellous degree. Jacobs writes in her adaptor and director’s note:…
Zest and immediacy
Bell Shakespeare, Canberra Theatre Centre, June 15. As Bell nears the end of its long run of Henry V, here’s what I wrote after its premiere in Canberra… IN an air raid shelter during the Blitz in London, some young people delve into bookshelves and pull out Shakespeare. Their stage is a room with a…
Eight Gigabytes of Hardcore Pornography
By Declan Greene. Griffin Theatre and Perth Theatre Company, Stables Theatre, Sydney, May 7. THE title of Declan Greene’s new play is misleading in one respect because it is not at all about pornography. But in its expression – so caressing in cadence and so ugly in import – the name brilliantly captures the bleak…
Williamson, Fleming
Cruise Control, by David Williamson, Ensemble Theatre, Kirribilli, April 30 His Mother’s Voice, by Justin Fleming, bAKEHOUSE Theatre Company, ATYP Selects, May 2 DAVID Williamson has been writing plays for more than 45 years and hasn’t lost his touch with the well-crafted one-liner that effortlessly extracts a happy burst of laughter from a full house….
Macbeth and Cock in Brisbane
Macbeth, Queensland Theatre Company, The Playhouse, Brisbane, April 9. Cock, Melbourne Theatre Company and La Boite, The Roundhouse Theatre, Brisbane, April 9. QUEENSLAND Theatre Company’s Macbeth isn’t set in a boardroom, or in Nazi Germany, or in the fiefdom of the Klingons. The unchanging set (Simone Romaniuk, who also designed the costumes) is a thicket…
Five plays
The Pride, Side Pony Productions, Bondi Pavilion Theatre, March 25; Fight Night, The Border Project/Ontroerend Goed, Wharf 2, Sydney Theatre Company, March 26 (matinee); The Night Larry Kramer Kissed Me, Lambert House Enterprises, Gingers at the Oxford Hotel, March 26; Clybourne Park, Ensemble Theatre, March 27 (matinee); Stitching, Little Spoon Theatre, TAP Gallery, March 27….