Manon, Queensland Ballet, QPAC, September 28 and 29, 2022

Kenneth MacMillan’s Manon premiered in 1974, not quite a decade after his Romeo and Juliet, and in some ways is the earlier ballet’s dark twin. Each has as its heart young lovers in a hostile environment whose instant attraction to one another ends in tragedy; each has hugely coveted leading roles of the kind that make reputations.  Queensland…

Thrills and spills: the year in dance

We’ll get to the year’s most interesting work and dancers shortly but 2015 was also notable for offstage developments, particularly at Australia’s three leading classical companies, The Australian Ballet, Queensland Ballet and West Australian Ballet. So let’s begin there. OFFSTAGE The national company At The Australian Ballet, David McAllister became the company’s longest-serving artistic director, surpassing…

Beauty in the eye of the beholder

Revelations in New York, stars made at The Australian Ballet, Alina Cojocaru in Brisbane and more … The Australian Ballet dubbed its 2015 season A Year of Beauty. Giselle, Swan Lake, Cinderella and Frederick Ashton’s The Dream were on the program, lovely ballets all, but essentially teasers for the main event – the new Sleeping…

Queensland Ballet’s The Sleeping Beauty

Lyric Theatre, Brisbane, October 23 and October 24 It is something of an understatement to say Greg Horsman knows The Sleeping Beauty well. Not only was it the first ballet he saw, the one that made him want to be a dancer, it was a key role for him. Among the stages on which he…

Into the woods

Melbourne, September 15 THE Australian Ballet and its audiences have a great deal invested in David McAllister’s new Sleeping Beauty, in both senses of the word. The first is financial: this Beauty cost more than $2 million to produce and 70 per cent of its financing was provided by ballet-lovers. The program lists hundreds of…

To each her own

Sydney Opera House, April 2, 4 and 7 TWO and bit years ago, when Paris Opera Ballet came to Sydney with its production of Giselle, I was able to see three excitingly different readings of the title role, two of them from debutantes. We seem to get our fair share of important firsts in Australia….

You saw it here first

American Ballet Theatre, Lyric Theatre, Brisbane, September 3 IT’S always a big deal when a dancer makes her debut as Odette-Odile in Swan Lake. It’s a bigger deal when that dancer is Misty Copeland, the first African-American in American Ballet Theatre’s 75-year history to be cast as Odette. It shouldn’t be so, but it is….

Lucinda Dunn, Cojocaru and Kobborg

The Australian Ballet, Sydney Opera House, April 22 and 23 AS the curtain came down on Lucinda Dunn’s farewell performance for The Australian Ballet she wept, the streamers flew, the audience roared and an era ended. Dunn has been with the AB for 23 years, longer than any other ballerina, and was a principal artist…

Cojocaru and Kobborg

WHEN Alina Cojocaru and Johan Kobborg join The Australian Ballet in Sydney for two performances of Manon in April it will be their first appearance with an Australian company, but their second time in Australia together and Cojocaru’s third visit. She danced in A Midsummer Night’s Dream with Hamburg Ballet in Brisbane in 2012. In…