The Sleeping Beauty. The Australian Ballet, Adelaide, July 22-23, 2025.

Tchaikovsky was “charmed and captivated” when asked to write the music for The Sleeping Beauty by the director of the Imperial Theatres, Ivan Vsevolozhsky. Audiences have felt the same since the work’s premiere in 1890. The composer and choreographer Marius Petipa worked closely and harmoniously together and created one of the ballet canon’s enduring masterpieces.  The Sleeping Beauty has been…

The Wild Between Stars, West Australian Ballet, February 7

The stars were out and so was the moon. The audience gathered, as always, on the terraces at City Beach’s Quarry Amphitheatre with the traditional picnic baskets and wine to hand. The dancers of West Australian Ballet warmed up on the open-air stage and all was as it usually is. Except, that is, for the…

The Australian Ballet announces its 2025 season

In what will be David Hallberg’s fifth year as artistic director of The Australian Ballet, the company’s 2025 program offers new works by William Forsythe and Stephanie Lake, the return of John Neumeier’s Nijinsky, the company premiere of Jerome Robbins’s Glass Pieces and, for Melbourne and Canberra, Johan Inger’s powerful Carmen following its Australian premiere in Sydney this year. Revivals of…

Royal New Zealand Ballet artistic director Ty King-Wall

Ty King-Wall finished his ballet career at the top, retiring from The Australian Ballet as a principal artist. By the time he stopped dancing in 2022 he had two young children, one born just weeks before his final performance. His wife, former TAB principal Amber Scott, made her farewell to the stage last year.  King-Wall…

Ty King-Wall is Royal New Zealand Ballet’s new artistic director

There should be much rejoicing in New Zealand dance circles today with the announcement that Ty King-Wall is to be Royal New Zealand Ballet’s next artistic director. It’s a homecoming for King-Wall, who made his dance career with The Australian Ballet but was born in New Zealand and started his dance studies there.  His appointment…

Four Romeos and four Juliets at The Australian Ballet, October and December 2022

The return of John Cranko’s Romeo and Juliet to The Australian Ballet after nearly 20 years is a reminder of how few narrative ballets surpass it for range and complexity. Cranko’s version of Shakespeare’s tragedy, made in 1962 for Stuttgart Ballet, has been in TAB’s repertoire since 1974 and until 2003 was staged relatively regularly. Not all…

David Hallberg named next artistic director of The Australian Ballet

On December 4 last year David Hallberg tweeted that he’d loved revisiting The Sleeping Beauty at the Royal Opera House but “there is a very good chance it was my last”. And so it probably was. Today the 37-year-old American superstar was announced as the next artistic director of The Australian Ballet – its eighth….

The Happy Prince, The Australian Ballet

Choreographed by Graeme Murphy, adapted from Oscar Wilde by Murphy and Kim Carpenter. Queensland Performing Arts Centre, Brisbane, February 25. Graeme Murphy’s The Happy Prince was to have premiered last year but illness intervened and the choreographer wasn’t able to complete the ballet in time. The Australian Ballet quickly rescheduled it to open the 2020…