Four Romeos and four Juliets at The Australian Ballet, October and December 2022

The return of John Cranko’s Romeo and Juliet to The Australian Ballet after nearly 20 years is a reminder of how few narrative ballets surpass it for range and complexity. Cranko’s version of Shakespeare’s tragedy, made in 1962 for Stuttgart Ballet, has been in TAB’s repertoire since 1974 and until 2003 was staged relatively regularly. Not all…

David Hallberg named next artistic director of The Australian Ballet

On December 4 last year David Hallberg tweeted that he’d loved revisiting The Sleeping Beauty at the Royal Opera House but “there is a very good chance it was my last”. And so it probably was. Today the 37-year-old American superstar was announced as the next artistic director of The Australian Ballet – its eighth….

The Happy Prince, The Australian Ballet

Choreographed by Graeme Murphy, adapted from Oscar Wilde by Murphy and Kim Carpenter. Queensland Performing Arts Centre, Brisbane, February 25. Graeme Murphy’s The Happy Prince was to have premiered last year but illness intervened and the choreographer wasn’t able to complete the ballet in time. The Australian Ballet quickly rescheduled it to open the 2020…

The Nutcracker, The Australian Ballet

Sydney Opera House, November 30. The Australian Ballet doesn’t have an annual tradition of presenting The Nutcracker, although on present indications it could. The ballet doesn’t have as tight a grip on the public (or companies’ bottom lines) as it does in the United States but this year’s Nutcracker was pretty much sold out before…

Sylvia, The Australian Ballet

Sydney Opera House, November 8 The dash for bathrooms and bars was substantially less frantic than usual after the close of Act I of Stanton Welch’s Sylvia. Heads everywhere bowed over their synopsis sheets. What in the name of all the gods in Ancient Greece was going on? How does one show via ballet that Artemis…

The Australian Ballet and Queensland Ballet reveal 2019 programs

Alice Topp was yesterday named The Australian Ballet’s fourth resident choreographer, joining Stephen Baynes and Stanton Welch, (both appointed in 1995) and Tim Harbour (2014). Topp, a coryphée with the company, is the second woman to be given the title following Natalie Weir. It’s been a long time between drinks: Weir held the post for…

The Australian Ballet and its long dance with The Merry Widow

In her biography of Robert Helpmann, Robert Helpmann: A Servant of Art, Anna Bemrose describes how Helpmann, then artistic director of The Australian Ballet, was grilled by the Industries Assistance Commission in 1975. The IAC had been asked by the prime minister of the time, Gough Whitlam, to examine government arts funding and clearly some…

Murphy: The Australian Ballet

Sydney Opera House, April 6 (evening) and 11 (matinee). It would have been the easiest thing in the world to give Graeme Murphy a conventional gala to celebrate his 50 years of association with The Australian Ballet, the company he joined as a member of the corps de ballet in 1968. The idea for the…

David Hallberg, The Sleeping Beauty

The Australian Ballet, Brisbane, February 25 When David Hallberg returned to the ballet stage in Sydney in November last year, in Coppélia with The Australian Ballet, he was coming out of a two-and-a-half year layoff due to injury, the last 12 months of which he spent in Melbourne working with TAB’s medical team. The choice…