Houston Ballet’s Romeo and Juliet

State Theatre, Melbourne, June 30 Stanton Welch looked thrilled after the premiere of his Romeo and Juliet in Melbourne, as he should have. The former Australian Ballet dancer and current AB resident choreographer had brought his own company, Houston Ballet, home. In the audience – along with supporters from Houston – was a galaxy of…

Symphony in C: The Australian Ballet

Sydney Opera House, April 29. Symphony in C is one of George Balanchine’s grandest and most cherished pronouncements on the classical tradition. It features a strict hierarchy that cascades down from principals and soloists to an all-female corps and ends in exhilarating fashion with more than 40 dancers onstage – a number at the lower…

Swan Lake: Sydney summing up

The Australian Ballet, Sydney, March 31, April 2, April 5, April 16. The Australian Ballet will undoubtedly stick with Stephen Baynes’s 2012 production of Swan Lake – now being revived for the first time – for many a year to come. It has sold out 21 performances at the Sydney Opera House and a check…

About last week … April 2-8

In the week just gone I went again to The Australian Ballet’s Swan Lake, this time to see Lana Jones as O/O. I’ll wait until I’ve seen Natasha Kusch – coming up at the Saturday matinee – before I embark on a full discussion of Stephen Baynes’s production and the key exponents. In the meantime…

Ako Kondo’s Odette/Odile debut in The Australian Ballet’s Swan Lake

Sydney Opera House, April 2. The chance to see a dancer’s first Odette/Odile will always be a drawcard for the truly dedicated ballet-goer, no matter how many times they have seen Swan Lake. Early this month Australian Ballet principal artist Ako Kondo added the role to her repertoire with a performance that revealed many individual…

About last week … March 26-April 1

A CLASH of ballet opening nights saw Queensland Ballet’s A Midsummer Night’s Dream and The Australian Ballet’s Swan Lake go head to head – well, from my perspective. They were in different cities at the time. For reasons both artistic and logistical, I went to the first performance of Dream in Brisbane on April 1…

Daniel Gaudiello exits The Australian Ballet

When The Australian Ballet stages Stephen Baynes’s traditional Swan Lake in Sydney from April 1 for 21 performances it will field six couples in the leading roles of Odette-Odile and Siegfried. One of those couples was to have been senior artist Natasha Kusch with principal Daniel Gaudiello, a partnership that promised a great deal. Kusch,…

Thrills and spills: the year in dance

We’ll get to the year’s most interesting work and dancers shortly but 2015 was also notable for offstage developments, particularly at Australia’s three leading classical companies, The Australian Ballet, Queensland Ballet and West Australian Ballet. So let’s begin there. OFFSTAGE The national company At The Australian Ballet, David McAllister became the company’s longest-serving artistic director, surpassing…

Beauty in the eye of the beholder

Revelations in New York, stars made at The Australian Ballet, Alina Cojocaru in Brisbane and more … The Australian Ballet dubbed its 2015 season A Year of Beauty. Giselle, Swan Lake, Cinderella and Frederick Ashton’s The Dream were on the program, lovely ballets all, but essentially teasers for the main event – the new Sleeping…

Lucinda Dunn: Act II, updated

When I spoke to former Australian Ballet principal artist Lucinda Dunn recently about her new career as artistic director of Tanya Pearson Classical Coaching Academy she was deep in rehearsals for Sydney City Youth Ballet’s The Nutcracker. SCYB is where the academy’s students gain performing experience before – if they are good enough and fortunate…