Thrills and spills: the year in dance

We’ll get to the year’s most interesting work and dancers shortly but 2015 was also notable for offstage developments, particularly at Australia’s three leading classical companies, The Australian Ballet, Queensland Ballet and West Australian Ballet. So let’s begin there. OFFSTAGE The national company At The Australian Ballet, David McAllister became the company’s longest-serving artistic director, surpassing…

Quintett, Frame of Mind

Sydney Theatre, March 9 and 10. IT was a great coup for Rafael Bonachela to secure William Forsythe’s Quintett for Sydney Dance Company. It is a jewel of the contemporary repertoire with so many facets and colours it could be seen again and again without exhausting its possibilities. And to see it danced as was…

Kusch joins the AB; Cubans come to Brisbane

AS I foreshadowed on December 15 on my Diary page, Queensland Ballet has lost one of its principal artists, Natasha Kusch, to The Australian Ballet. Kusch was with QB for less than 18 months after leaving the Vienna State Opera Ballet. She joins the AB as a senior artist. In a press statement released today…

Coppelia

Queensland Ballet, Brisbane, April 24 GREG Horsman’s appealing new production of the 19th century comedy Coppelia gives it a human scale and an Australian setting. It is the late 1800s and we are in the South Australian town of Hahndorf, settled in 1839 by German migrants and thus celebrating its 175th anniversary this year. I…

The year ahead

And coming up in 2014 … LAST year it was easy to point to the events in dance one thought would be unmissable (not so very many) and theatre (vast amounts). Mostly performances and productions delivered pretty much what one thought they would and moments of transcendence were few, but I guess they always are….

Dance in 2013

THE Australian dance-lover had plenty to enjoy in 2013, as long as there was a decent travel budget to hand. Paris Opera Ballet returned to Sydney, the Bolshoi had a season in Brisbane, The Australian Ballet premiered a new version of Cinderella by Alexei Ratmansky (Melbourne and Sydney only, although Adelaide sees it in 2014),…

Shaping an Australian ballet company

WHEN the ebullient Ivan Cavallari accepted an artistic directorship in France, West Australian Ballet’s board knew exactly what it wanted in his replacement. Starting in 2007, Cavallari and WAB general manager Steven Roth had successfully pushed for more funding, an increase in permanent dancer numbers from 19 to 32 and had secured splendid new headquarters….

Aurelien Scannella, West Australian Ballet

 Aurielen Scannella was announced as West Australian Ballet’s artistic director in August of last year and took up his post in Perth at the beginning of 2013. He succeeded Ivan Cavallari, who is now artistic director of Ballet du Rhin in France. Born in Belgium, Scannella has been a dancer, ballet master and rehearsal director…

La Sylphide, West Australian Ballet

His Majesty’s, June 1 IN her program note for West Australian Ballet’s La Sylphide, stager Dinna Bjorn wrote that while the steps of Bournonville’s 1836 ballet remain true to the original, “the way of executing the steps has changed through the the times with the development of the ballet technique and the body types of…

Robert Curran

In the first of an occasional conversation and discussion series, former Australian Ballet principal artist Robert Curran talks about his sometimes frustrating, not yet achieved but deeply considered and tenaciously sought transition from dancing to an artistic directorship ROBERT Curran gave his last performance with The Australian Ballet on November 26, 2011 – as Danilo…