Capitol Theatre, Sydney, February 20 and February 24. GRAEME Murphy’s Swan Lake has been a touchstone production – and a fortunate one – not only for The Australian Ballet as a whole but for many dancers. At its premiere in Melbourne on September 17, 2002, Simone Goldsmith started the evening as a senior artist and…
Tag: Adam Bull
‘A time of renewal’
Maina Gielgud, artistic director of The Australian Ballet from 1983 to 1997, is in Sydney preparing to restage her acclaimed 1986 production of Giselle, last performed by the company in 2008. It will premiere in Melbourne on March 13, 2015, with seasons to follow in Sydney, Canberra and Adelaide. In a frank and lively conversation…
One evening, four works
The Australian Ballet, Sydney Opera House, April 29. LET’S start with the very best bit first. The Australian Opera and Ballet Orchestra had a particularly good night on Tuesday under Australian Ballet music director Nicolette Fraillon’s leadership. The quadruple bill Chroma covers a lot of ground: Mozart for Jiri Kylian’s Petite Mort and Sechs Tanze,…
Imperial Suite
The Australian Ballet, Brisbane, February 26 THE men of The Australian Ballet get an occasional look-in but the double bill Imperial Suite is really all about the women. In Serge Lifar’s Suite en blanc there is a flurry of white tutus and only one male dance of any substance. In George Balanchine’s Ballet Imperial a…
Manon
The Australian Ballet, Brisbane, February 21 MANON, which premiered 40 years ago next month (March 7, 1974), is in an exclusive club, the handful of full-length 20th century ballets that have insinuated themselves firmly into the repertoire. The Australian Ballet doesn’t exactly have it on high rotation but, including this year, Manon has shown up…
Retirement and promotion at the AB
La Sylphide, Sydney Opera House, November 25 IT’S one of the Australian Ballet’s most striking images. Olivia Bell looks at the camera with a cool expression, her head inclined slightly downwards so the effect is of mystery rather than direct challenge. Her hands are on her hips and her weight is placed on her left…
Symmetries
Monument, The Four Temperaments, After the Rain pas de deux. The Australian Ballet, Canberra Theatre, May 23. MANY a distinguished artist has come a cropper when asked to create something to order for a special occasion, whether they be a poet laureate, a painter or, in this case, a choreographer. Being handed weighty, worthy subject…
Vanguard
The Australian Ballet, Sydney Opera House, April 30 GEORGE Balanchine was indisputably a game-changer, to use the Australian Ballet’s phrase in explaining the ethos behind Vanguard, the triple bill that opened in Sydney on April 30. The game-changer tag is somewhat less cut and dried in the case of Jiri Kylian and Wayne McGregor, who…
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