Sydney Opera House, April 29. Symphony in C is one of George Balanchine’s grandest and most cherished pronouncements on the classical tradition. It features a strict hierarchy that cascades down from principals and soloists to an all-female corps and ends in exhilarating fashion with more than 40 dancers onstage – a number at the lower…
Tag: Christopher Wheeldon
Daniel Gaudiello exits The Australian Ballet
When The Australian Ballet stages Stephen Baynes’s traditional Swan Lake in Sydney from April 1 for 21 performances it will field six couples in the leading roles of Odette-Odile and Siegfried. One of those couples was to have been senior artist Natasha Kusch with principal Daniel Gaudiello, a partnership that promised a great deal. Kusch,…
Vitesse
The Australian Ballet, State Theatre, Melbourne, March 11. VITESSE presents three certified hits from three of the biggest names in contemporary ballet and turns the dial up as the evening progresses. It starts with one of Jiří Kylián’s mysterious appeals to the heart, takes a charge through the cerebral and physical complexities of William Forsythe…
Berlin, Paris, Verona, Worcester County
Hedwig and the Angry Inch, Belasco Theatre, May 21; An American in Paris, Palace Theatre, May 22; The Two Gentlemen of Verona, Polonsky Shakespeare Centre, Brooklyn, May 23 (matinee); The Flick, Barrow Street Theatre, May 24 IS there a more gallant, a more scintillating, a more lovable character on Broadway right now than Hedwig, in the person of…
‘A time of renewal’
Maina Gielgud, artistic director of The Australian Ballet from 1983 to 1997, is in Sydney preparing to restage her acclaimed 1986 production of Giselle, last performed by the company in 2008. It will premiere in Melbourne on March 13, 2015, with seasons to follow in Sydney, Canberra and Adelaide. In a frank and lively conversation…
Ballet Boyz: The Talent
Drama Theatre, Sydney Opera House, May 13 THE founders of BalletBoyz, Royal Ballet alumni Michael Nunn and William Trevitt, have one of the best contact books in the business. A program that offered new choreography by Russell Maliphant and Liam Scarlett stamped itself as a must-see: the work of a contemporary master alongside the UK’s…
Bodytorque.Technique
The Australian Ballet, Sydney Theatre, October 31. THIS year they called the annual choreographic workshop Bodytorque.Technique. It would have been rather closer to the mark to call it Bodytorque.Influences. Five of the six new works paid such homage to established choreographers you’d think royalties would be in order. But for all the sense there wasn’t…
Symmetries
Monument, The Four Temperaments, After the Rain pas de deux. The Australian Ballet, Canberra Theatre, May 23. MANY a distinguished artist has come a cropper when asked to create something to order for a special occasion, whether they be a poet laureate, a painter or, in this case, a choreographer. Being handed weighty, worthy subject…